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'290' - A Novel of the American Civil War

VOLUME II: THE LAIRD GUNBOAT

From the Blockade Runner series

An often good read, particularly for Civil War enthusiasts.

Political intrigue in Britain threatens to scupper Trenton Grey’s plans to continue as a Confederate blockade runner in Wonnell’s (‘290’: Volume I: Blockade Runner, 2015) sequel.

Grey is in Liverpool, England, supervising the construction of a new ship to replace his, which was commandeered by the Confederate navy, as well as another, called 290, whose owner intends to use it to disrupt Union shipping. Grey is lonely and longs for his cousin Joanna, who is waiting for him in the Bahamas. To circumvent a law against “equipping and arming” ships in England to use against countries with which Britain is not at war, the shipyard is relying on a legal opinion that distinguishes “equipping and arming” from basic construction. The U.S. Consul in Liverpool, Thomas Dudley, gets wind of this, and the American minister in London, Charles Adams, convinces the authorities to adopt a more expansive reading of the law. Despite the sharpest maneuverings of the British system by Confederate sympathizer Austen Layard, undersecretary to the British Foreign Minister, an official order to seize the 290 slowly wends its way through the British legal system. Layard connives to warn Grey, but will the 290 be able to flee Liverpool before the American steamship Tuscarora arrives to shut it down? As with the previous volume, this novel is rife with authentic detail and period language. Wonnell’s knowledge of the British governmental structure rivals his impressive knowledge of sailing ships and Civil War history. The result, again, is a book of impressive authenticity with a compelling plot and diverse characters. It starts off a bit slowly, but once the intrigue starts, it’s gripping. However, the author might have given more depth to the female characters and expanded on the social activity in Liverpool and New Providence, which is important to the plot but given short shrift. The romance between Trent and Joanna is also a bit melodramatic, and a few action scenes early on could have made some of the extensive background information on British law and politics a bit easier to digest.

An often good read, particularly for Civil War enthusiasts.

Pub Date: N/A

ISBN: 978-0-692-42260-1

Page Count: 386

Publisher: Brail Books LLC

Review Posted Online: Sept. 2, 2015

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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