An exquisite tonic for storytellers far and wide, young and old.
With Halley’s comet barreling toward Earth, humanity’s last hope—including a young Latinx storyteller—retreats into the stars.
Only a select few have the opportunity to vacate Earth in the year 2061, travel for 380 years in stasis, and start a new life on the planet of Sagan. Tearing herself away from her grandma and her cuentos, or stories, Petra Peña follows her family aboard one of three fleeing spaceships. One ship—reserved for leaders and politicians—is lost. Petra awakens years later to find that the ominous Collective has taken over her ship. Along the way to Sagan, the Collective has ensured the eradication of any Earth-associated memories, reprogramming everyone onboard—and purging some—for the so-called greater good. Petra, however, eludes reprogramming. To survive the Collective’s fanaticism, Petra must play her part and participate in scouting missions on Sagan to help the Collective prepare for colonization. As she shares cuentos with other child passengers to stir their Earth memories, Petra concocts a plan to escape, seeking a rumored Collective-free colony of First Arrivers on Sagan. With poetic use of startling imagery and unabashed nostalgia, Higuera spins a tale that crosses the depths of space, interweaving Mexican folklore with a mystical strand of science fiction. It all works thanks to the author’s keen appreciation of storytelling’s role in shaping cultures, dreams, and lives. An overall slow burner, this tale packs a wallop.
An exquisite tonic for storytellers far and wide, young and old. (Science fiction. 10-14)Pub Date: Oct. 12, 2021
ISBN: 978-1-64614-089-3
Page Count: 336
Publisher: Levine Querido
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
Navigating this stunning novel requires thought and concentration, but it’s well worth the effort.
Returning to themes she explored so affectingly in Moon Over Manifest (2011), Newbery Medalist Vanderpool delivers another winning picaresque about memories, personal journeys, interconnectedness—and the power of stories.
Thirteen-year-old Jack enters boarding school in Maine after his mother’s death at the end of World War II. He quickly befriends Early Auden, a savant whose extraordinary facility with numbers allows him to “read” a story about “Pi” from the infinite series of digits that follow 3.14. Jack accompanies Early in one of the school crew team’s rowing boats on what Jack believes is his friend’s fruitless quest to find a great bear allegedly roaming the wilderness—and Early’s brother, a legendary figure reportedly killed in battle. En route, Early spins out Pi’s evolving saga, and the boys encounter memorable individuals and adventures that uncannily parallel those in the stories. Vanderpool ties all these details, characters, and Jack’s growing maturity and self-awareness together masterfully and poignantly, though humor and excitement leaven the weighty issues the author and Jack frequently pose. Some exploits may strain credulity; Jack’s self-awareness often seems beyond his years, and there are coincidences that may seem too convenient. It’s all of a piece with Vanderpool’s craftsmanship. Her tapestry is woven and finished off seamlessly. The ending is very moving, and there’s a lovely, last-page surprise that Jack doesn’t know but that readers will have been tipped off about.
Navigating this stunning novel requires thought and concentration, but it’s well worth the effort. (author’s note, with questions and answers, list of resources) (Historical fiction. 10-14)Pub Date: Jan. 8, 2013
ISBN: 978-0-385-74209-2
Page Count: 320
Publisher: Delacorte
Review Posted Online: Oct. 30, 2012
Kirkus Reviews Issue: Nov. 15, 2012
BOOK REVIEW
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...
Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.
Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.
Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)Pub Date: July 21, 2015
ISBN: 978-0-06-210495-3
Page Count: 672
Publisher: Harper/HarperCollins
Review Posted Online: June 25, 2015
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