Next book

LILY AND DUNKIN

Gephart’s compassion is noble, but it’s not enough to make Lily's story resonate.

Lily is trans and is facing puberty, which will make her look less than herself than she does now, while new kid Dunkin’s manic impulsiveness makes him a misfit; though they click immediately, life gets complicated.

According to her author’s note, Gephart promised her son a story with a character who is bipolar like him and promised herself a story of a trans girl, to help foster understanding of people like them. Gephart clearly has a lot of heart, and she tells their stories with compassion. They speak in alternating first-person narration with cursive headers for Lily and block capitals for Dunkin. Dunkin’s insensitivity during manic episodes doesn’t erase the fact that he’s a good kid, and that comes through. But trans readers will likely not recognize themselves in Lily, even if they share some common ground. Lily is perfectly polite, unfailingly kind, with nary a bad thought, angelic right up to her fairy-tale ending. Though Gephart does a good job of rounding out her other characters, Lily is so pristine that she feels mythical, falling into the pile of fiction’s magical misfits so perfect it’s impossible not to accept this one little departure from the norm. There are too few messy, complicated trans heroes that still find love and acceptance in literature for kids, and while cis readers may find it educational, this isn’t going to change that.

Gephart’s compassion is noble, but it’s not enough to make Lily's story resonate. (resources) (Fiction. 10-14)

Pub Date: May 3, 2016

ISBN: 978-0-553-53674-4

Page Count: 352

Publisher: Delacorte

Review Posted Online: Feb. 1, 2016

Kirkus Reviews Issue: Feb. 15, 2016

Next book

THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2025


  • New York Times Bestseller

Next book

THE TROUBLE WITH HEROES

An adventurous work whose authentic voice celebrates the outdoors and everyday heroism.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2025


  • New York Times Bestseller

A summer spent summiting the Adirondacks allows a teenager to reckon with grief.

Thirteen-year-old Finn Connelly’s summer is off to a rocky start. In addition to several incomplete class assignments—including a poetry project about heroes—he’s facing vandalism charges after an angry outburst at the local cemetery. To avoid paying thousands in fines that his family can’t spare, he reluctantly agrees to the proffered alternative: climbing all 46 Adirondack peaks over 4,000 feet by Labor Day accompanied by Seymour, the enthusiastic dog who belonged to the woman whose headstone he damaged. As Finn attempts the hikes, he wrestles with what it means to be a hero, a term often used for his deceased father, a local hockey legend, New York City firefighter, 9/11 first responder, and paramedic who died on the front lines of the Covid-19 pandemic. This verse novel is engaging and easy to follow. It encompasses varied structures, like haiku, sonnet, and found poetry. Other ephemera, such as letters, recipes, and school progress reports, create visual breaks evocative of a commonplace book. The first-person narration vividly conveys a disgruntled teenager’s feelings, including moments of humor and contemplation. The novel wrestles with loss and legacy intertwined with weighty events, challenges, and themes—PTSD, alcoholism, toxic masculinity—and their resulting impact on Finn’s emotional well-being. The supporting characters are encouraging adult role models. Characters present white.

An adventurous work whose authentic voice celebrates the outdoors and everyday heroism. (author’s note) (Verse fiction. 10-14)

Pub Date: April 29, 2025

ISBN: 9781547616398

Page Count: 288

Publisher: Bloomsbury

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

Close Quickview