An enjoyable romance brings Black history into the present.
A Black couple’s romance ties together the past and the present in Hill’s novel.
The author interweaves a present-day storyline—photographer Alessandra Fleming leaves Manhattan for her hometown of Sag Harbor, New York, after her widowed and estranged father is hospitalized—with a series of first-person narratives that relate the story of Ayah, a woman kidnapped and enslaved in the 19th century. When she returns to Sag Harbor, Alessandra meets her neighbor’s grandson Zach Renard, an ethnographer studying the history of free Black communities on Long Island. The two feel an instant connection that intensifies as Zach supports Alessandra through her father’s final days. She is determined to understand the family secrets her parents kept from her as well as the increasing number of unnerving experiences she has been having, sensing sights, sounds, and smells that are not there. When Alessandra discovers a chest full of newspaper clippings, photos, and other artifacts, Zach brings his research skills to bear, and together they uncover Alessandra’s family history and its place in the Black diaspora. The emotionally satisfying love story is complemented by the book’s solid historical grounding as well as a cast of well-developed supporting characters—Zach’s grandmother Grace Oweku; Alessandra’s elderly neighbor Edith Samuels; and her longtime best friend, Traci Howard—who come with backstories that could fill a separate novel. The writing and pacing are solid, making it easy to get hooked by the story. The book’s supernatural elements (“When she opened the door to her space, a sudden flash of seeing herself stepping into a dim, lantern-lit room that smelled of damp wood, sea moss, and dirt floors leaped in front of her. The surreal moment seized her breath. She gripped the doorframe, shook her head, and the image scattered like startled birds”) echo those in Octavia E. Butler’s Kindred while allowing Alessandra’s story to remain entirely its own. The narrative explores issues of systemic racism, slavery, generational wealth-building, and chosen families, addressing them organically without overwhelming the reader with heavy-handed messages. Distinguished by its intense and passionate love story and its insistence on the contemporary relevance of historical events, this engaging tale will keep the reader turning pages until the end.
An enjoyable romance brings Black history into the present.Pub Date: May 23, 2023
ISBN: 9781649371454
Page Count: 368
Publisher: Sideways Books
Review Posted Online: April 10, 2023
Kirkus Reviews Issue: June 15, 2023
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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