A captivating and skillfully constructed weaving of history and romantic drama.
A novel set in Harlem during the early 1960s explores competing factions in the civil rights movement.
Jason Tanner has just made a momentous decision. Sitting at a table in Atlanta’s Paschal’s Restaurant with the major leaders of the Rev. Dr. Martin Luther King Jr.’s nonviolent protest campaign—including a young man named John Lewis, who would become a civil rights icon— Jason volunteers to set up a grassroots outreach storefront in New York City. His parents are not pleased that their eldest child, who had never stepped foot outside of Georgia until he joined King’s march on Washington, D.C., is heading up north to a city filled with danger. Meanwhile, in that very city, Anita Hopkins, born in Brooklyn, is attending a Malcolm X rally. “You don’t have a peaceful revolution. You don’t have a turn-the-cheek revolution. There’s no such thing as a nonviolent revolution,” he intones. Anita cheers along with the crowd, handing out leaflets and encouraging his supporters. In September 1963, Jason boards the bus from Atlanta to New York. As passengers disembark at a Philadelphia rest stop, he strikes up a conversation with a beautiful young woman sitting across the aisle. And so the “do-gooder” Georgia boy meets the fiery, street-wise city girl. Their first encounter does not end well. Hill’s enjoyable, well-paced, and deftly structured novel, which features historical photographs, is filled with musical allusions, including a Christmas Motown spectacular at the Apollo Theater. Her descriptions of the sights, aromas, and tempo of Harlem—the ’60s Northern Black cultural and intellectual center—in all its diversity, are vivid and reflected through two strong, fully drawn protagonists. They are opposite sides of a coin—he is shy and uncertain about his future in New York; she is an exuberant poet with a beautiful voice. He is gentle, speaking in a soft Southern cadence; she is passionate and edgy. He is a pacifist; she is a militant. But the vibrancy of Harlem, the excitement of listening to Anita read her poetry at the B-Flat nightclub, and a magnetic connection that keeps each in the other’s thoughts eventually work their magic in this powerful tale.
A captivating and skillfully constructed weaving of history and romantic drama.Pub Date: Nov. 24, 2020
ISBN: 978-1-64063-829-7
Page Count: 400
Publisher: Sideways Books
Review Posted Online: Oct. 14, 2020
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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