A well-meaning tale is overwhelmed by an over-the-top attempt at inspiration.
A potentially charming tale about a perfect pearl that takes form from a simple grain of sand is laden with heavy-handed life lessons.
The grain becomes embedded in an oyster and is slowly coated with protective layers until a diver brings it up, discovers the beautiful pearl it has become and sets it on a journey that carries it home to a lovely young princess. The tale might have succeeded as a story of how the pearl became the imperial jewel of Persia, the nominal plot, but Napoli missteps by endowing the grain of sand with deep emotions of hopelessness and helplessness and, eventually, love and joy. The message that each person has the ability to change and grow is clearly intended to be uplifting and encouraging. However, all the changes to the grain of sand come about naturally: It does not make itself into a pearl; that outcome is accomplished by the oyster and time. Moreover, a pearl has no value beyond what humans place upon it. The princess loves the pearl, certainly with no thought to the grain of sand at its center. LaMarche’s lovely illustrations, rendered in acrylic paint and colored pencil in a palette of pink, purple and turquoise, with appropriately luminescent pearls, transcend the weaknesses of the text.
A well-meaning tale is overwhelmed by an over-the-top attempt at inspiration. (Picture book. 4-7)Pub Date: June 18, 2013
ISBN: 978-1-4231-4557-8
Page Count: 32
Publisher: Disney-Hyperion
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
Gives “friend” a disquieting nuance.
On the spur of the moment, anyone can make a mistake.
In a twist on Eric Carle’s classic Do You Want to Be My Friend? (1971) and the many like-themed quests trailing in its wake, a suddenly friendless yellow monster makes the titular confession, mourns, and then goes in search of a new companion. Following a string of refusals that range from “No, you are too big,” and “No, you are too scary” (not to mention a terse “No”) to a terrifying, page filling “Rrrooar!” the monster begins to lose heart. Will it be lonely forever? But, no fears, a suitable (teal) candidate sidles up at last: “Hello! I will be your friend.” Cue the warm smiles and clasped paws…until a page turn reveals only the new arrival, guiltily admitting, “I just ate my friend.” Arranged in simple compositions and positioned for maximum comic effect, McKinnon’s monsters don’t look at all feral (although the protagonist does have a mouthful of sharp teeth, they are very tiny, commanding much less attention than its large, googly eyes and potato-shaped body), so the summary fate of the yellow one may come as a surprise (at least the first time through) to audiences who expect a more-conventional ending. Readers who prefer their comedy on the dark side à la Jon Klassen’s I Want My Hat Back (2011) or Jeanne Willis and Tony Ross’ Tadpole’s Promise (2005) will relish this alternative outcome.
Gives “friend” a disquieting nuance. (Picture book. 5-7)Pub Date: June 26, 2018
ISBN: 978-1-5344-1032-9
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
BOOK REVIEW
BOOK REVIEW
Visual fun overrides textual inadequacies, making this an enjoyable read with an inarguably valuable message.
If it first you don’t succeed, try getting hit by lightning.
The smallest of his four brothers, Elbow Grease is an electric-powered monster truck with big dreams. Each one of his brothers is tougher, faster, smarter, or braver than he is, but at least he’s got enough “gumption” to spare. That comes in handy when he rushes off to join a Grand Prix in a fit of pique. And while in the end he doesn’t win, he does at least finish thanks to a conveniently placed lightning bolt. That inspires the true winner of the race (Elbow Grease’s hero, Big Wheels McGee) to declare that it’s gumption that’s the true mark of a winner. With his emphasis on trying new things, even if you fail, Cena, a professional wrestler and celebrity, earnestly offers a legitimately inspiring message even if his writing borders on the pedestrian. Fortunately McWilliam’s illustrations give a great deal of life, emotion, action, and mud splatters to the middling text. Humans are few and far between, but the trucks’ keeper, Mel the mechanic, is pictured as a brown-skinned woman with glasses.
Visual fun overrides textual inadequacies, making this an enjoyable read with an inarguably valuable message. (Picture book. 4-7)Pub Date: Oct. 9, 2018
ISBN: 978-1-5247-7350-2
Page Count: 40
Publisher: Random House
Review Posted Online: July 23, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
