A riveting, old-fashioned fantasy tale with a resilient heroine.
A middle-grade debut novel tells the story of a girl torn between her native dream world and an alien reality.
Fourteen-year-old Remmi Clearwater works as a drone in the Cavern Lands of Penumbra. Her masters think that they have mind-drained away her magical talents, but Remmi retains them, keeping them hidden as she plots her escape. Penumbra is in Dreamearth, the fantastic parallel world to Realearth. Realearth visitors only enter Dreamearth in their dreams. Remmi’s ability to create illusions—to disguise herself by temporarily taking on a different form—comes from the fact that she is a Halfling, born to a Dreamearth mother and a Realearth father. Such offspring are feared for their unpredictable powers: “They can manipulate the surroundings and even hurl people great distances with just a thought. They’ve even been known to cross over into Realearth and convince people they were blasted gods.” Remmi manages to flee Penumbra and put her magic to use elsewhere in the Dreamearth tourism industry while still attempting to uncover the secret of her origins—and the fates of her parents. Despite people’s opinions of Halflings, when a cataclysm threatens Dreamearth, Remmi may be the only one who can save it. Robb tells her story with a sense of fun and wonder that is so often missing from contemporary fantasy. Her prose is elegantly simple, conjuring wondrous images: “Not ordinary clouds, as I’d often seen from the ground. These appeared to be animals with thick, cottony fleeces. Like clouds, they faintly resembled a variety of creatures.” The author treats the plot seriously even as the world in which it is set—with place names like the Archetypal Sea and the Collective Unconsciousness Forest—winks at the reader. The result is reminiscent of the Oz stories of L. Frank Baum: the reader becomes emotionally invested in the characters while still enjoying the frivolity of the setting. Standard tropes of the genre abound, but there is an originality to the premise and vision that keeps the story fresh. The ending, in particular, is unexpectedly affecting.
A riveting, old-fashioned fantasy tale with a resilient heroine.Pub Date: Nov. 25, 2016
ISBN: 978-1-5398-4154-8
Page Count: 298
Publisher: CreateSpace
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: July 1, 2017
Review Program: Kirkus Indie
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.
Pub Date: Sept. 1, 1987
ISBN: 1416925082
Page Count: -
Publisher: Bradbury
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Aug. 15, 1987
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