Absorbing human drama, in Morrissey’s best yet.
A way of life is compromised and threatened, and life goes stubbornly on, in the Canadian author’s third novel, following Downhill Chance (2003).
Set in small villages along the Newfoundland fishing banks during the 1950s, it’s the story of two families whose meager fortunes wax and wane as the business of cod-fishing is shaped by depleted resources, restrictive government policies and new technologies that render old ways obsolete (e.g., “Freezing fish is a better way of keeping them than salting. Bigger boats is a better way of catching them”). Morrissey dramatizes such changes in the experiences of the eponymous Sylvanus, hardy youngest son of a clan whose father and eldest son perished at sea, and headstrong Adelaide, the first-born in a sprawling crowd of siblings, whom their perpetually pregnant mother Florry has appointed “Addie” to care for. Dreaming of a fuller life, Addie marries doggedly devoted Sylvanus, who builds her a house, works tirelessly for her and gives her three babies, all stillborn, and buried in modest graves that the embittered Addie cannot bring herself to visit. Years pass; the families of Ragged Rock (Addie’s hometown) and Cooney Arm (where the Nows reside) struggle to survive, avoid the threat of government “resettlement” and adjust to the lingering burdens of their memories and their ghosts. And Morrissey’s people—stoical Sylvanus and resilient Addie (whose intimate moments and violent arguments alike throb with painful credibility), their hardbitten and longsuffering parents and relations—assume a near-mythic intensity reminiscent of Halldór Laxness’s epic portrayals of indomitable working souls. No conventional happy ending is possible, but reconciliation and acceptance are achieved, in a moving dénouement that proves the truth of Florry’s weary pronouncement, “If it weren’t for keeping things simple, nothing would ever get done.”
Absorbing human drama, in Morrissey’s best yet.Pub Date: April 3, 2006
ISBN: 0-393-32869-4
Page Count: 336
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2006
BOOK REVIEW
BOOK REVIEW
Hoffman (The Red Garden, 2011, etc.) births literature from tragedy: the destruction of Jerusalem's Temple, the siege of Masada and the loss of Zion.
This is a feminist tale, a story of strong, intelligent women wedded to destiny by love and sacrifice. Told in four parts, the first comes from Yael, daughter of Yosef bar Elhanan, a Sicarii Zealot assassin, rejected by her father because of her mother's death in childbirth. It is 70 CE, and the Temple is destroyed. Yael, her father, and another Sicarii assassin, Jachim ben Simon, and his family flee Jerusalem. Hoffman's research renders the ancient world real as the group treks into Judea's desert, where they encounter Essenes, search for sustenance and burn under the sun. There too Jachim and Yael begin a tragic love affair. At Masada, Yael is sent to work in the dovecote, gathering eggs and fertilizer. She meets Shirah, her daughters, and Revka, who narrates part two. Revka's husband was killed when Romans sacked their village. Later, her daughter was murdered. At Masada, caring for grandsons turned mute by tragedy, Revka worries over her scholarly son-in-law, Yoav, now consumed by vengeance. Aziza, daughter of Shirah, carries the story onward. Born out of wedlock, Aziza grew up in Moab, among the people of the blue tunic. Her passion and curse is that she was raised as a warrior by her foster father. In part four, Shirah tells of her Alexandrian youth, the cherished daughter of a consort of the high priests. Shirah is a keshaphim, a woman of amulets, spells and medicine, and a woman connected to Shechinah, the feminine aspect of God. The women are irretrievably bound to Eleazar ben Ya'ir, Masada's charismatic leader; Amram, Yael's brother; and Yoav, Aziza's companion and protector in battle. The plot is intriguingly complex, with only a single element unresolved. An enthralling tale rendered with consummate literary skill.
Pub Date: Oct. 4, 2011
ISBN: 978-1-4516-1747-4
Page Count: 512
Publisher: Scribner
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
A little-known story that will have special resonance for today’s resisters.
Based on an actual incident in Nazi-occupied Belgium, Ramzipoor’s debut is a tragicomic account of fake news for a cause.
Structured like a heist movie, the novel follows several members of a conspiracy in Enghien, Belgium, who have a daring plan. The conspirators do not intend to survive this caper, only to bring some humor—and encouragement for resisters—into the grim existence of Belgians under Nazi rule. To this end, the plotters—among them Marc Aubrion, a journalist and comic; David Spiegelman, an expert forger; Lada Tarcovich, a smuggler and sex worker; and Gamin, a girl masquerading as a male street urchin—intend to...publish a newspaper. And only one issue of a newspaper, to be substituted on one night for the regular evening paper, Le Soir, which has become a mouthpiece for Nazi disinformation. Le Faux Soir, as the changeling paper is appropriately dubbed, will feature satire, doctored photographs making fun of Hitler, and wry requests for a long-overdue Allied invasion. (Target press date: Nov. 11, 1943.) To avoid immediate capture, the Faux Soir staff must act as double agents, convincing (or maybe not) the local Nazi commandant, August Wolff, that they are actually putting out an anti-Allies “propaganda bomb.” The challenge of fleshing out and differentiating so many colorful characters, combined with the sheer logistics of acquiring paper, ink, money, facilities, etc. under the Gestapo’s nose, makes for an excruciatingly slow exposé of how this sausage will be made. The banter here, reminiscent of the better Ocean’s Eleven sequels, keeps the mechanism well oiled, but it is still creaky. A few scenes amply illustrate the brutality of the Occupation, and sexual orientation works its way in: Lada is a lesbian and David, in addition to being a Jew, is gay—August Wolff’s closeted desire may be the only reason David has, so far, escaped the camps. The genuine pathos at the end of this overdetermined rainbow may be worth the wait.
A little-known story that will have special resonance for today’s resisters.Pub Date: Aug. 27, 2019
ISBN: 978-0-7783-0815-7
Page Count: 544
Publisher: Park Row Books
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
