A moving tribute to the dogs in our lives, and the good fortune of their companionship.
A collection of essays, brimming with love and sorrow, on our best friends.
The best dog in the world, of course, is yours. As editor Hoffman recounts in her introduction, hers was a German shepherd named Houdini that possessed all the magic his name implied, and though he didn’t like the man who would become her husband, and later her ex-husband (“He was a good judge of character”), Houdini was a devoted companion to the rest of the household. “If you’re very lucky you may be honored to know a once-in-a-lifetime dog,” she concludes. That’s just right, and other contributors to this volume echo the sentiment in different ways. Writes novelist Emily Henry, “We are so fucking lucky to get to love someone so much that it tears a hole in the world when they’re gone.” That’s just right, too, but there’s little pathos here: The contributors are clear-eyed about what Dame Rebecca West called dogs’ one flaw, namely that they die. Of course, people do too, and one standout in this collection is Isabel Allende’s reminiscence of a normally quiet dog that would go ape whenever the household ghost—naturally, she named her home House of the Spirits—made an appearance. In another affecting piece, Paul Yoon laments the coming day when his beloved dog will no longer walk the earth, and he fears that the day will come after that when “I will begin to erase Oscar, that I will no longer remember the feel of him—his smell, his voice—no longer remember what it was I used to imagine about him as he lay beside me.” The conclusion to these varied pieces, in as many words, is fitting: We are lucky to have the time we do with our dogs, and we wouldn’t trade a moment of it.
A moving tribute to the dogs in our lives, and the good fortune of their companionship.Pub Date: March 10, 2026
ISBN: 9781668209028
Page Count: 240
Publisher: Scribner
Review Posted Online: Dec. 20, 2025
Kirkus Reviews Issue: Feb. 1, 2026
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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