Next book

AT A LOSS

FINDING YOUR WAY AFTER MISCARRIAGE, STILLBIRTH, OR INFANT DEATH

A heartfelt and wide-ranging series of encouragements for dealing with grief.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

An empathetic exploration of the tragedy of losing an infant.

When a person experiences a miscarriage, a stillbirth, or the death of a baby, writes clinical psychologist Rothert in her nonfiction debut, it leaves him or her emotionally shattered, and wondering whether they’ll ever be whole again. The author has gone through this experience twice herself, and she writes that “my experience has carved out spaces within me that resonate when I hear the stories of those who have lost someone so small—and yet something so big—that it brought them to their knees.” The book examines various aspects of this journey, from the long expectation of a happy birth to the physical experience of loss and the documentation of that loss in journal entries or letters. Rothert shores up these discussions with digressions into her own story, which enhances the warm, personal tone of the book as a whole. As unimaginable as the tragedies are, however, the author stresses that people are able to get through them: “Your life after loss is still your life,” she writes, “a life that bears scars, precious memories, and the seeds of further growth.” Rothert effectively urges her readers to look for even the simplest strategies for getting through the darkest periods: “Living after baby loss, like living the rest of life, is about reaching for the next thing in front of us, no matter how small.” This repeated emphasis on dogged optimism, even in the face of unthinkable suffering, is the book’s greatest strength. The author’s reminder that all of life is uncertain feels far from glib, as it’s clearly intended to encourage readers to concentrate on each day, each moment, to find a way to endure.

A heartfelt and wide-ranging series of encouragements for dealing with grief.

Pub Date: Oct. 2, 2019

ISBN: 978-1-73343-860-5

Page Count: 224

Publisher: Open Air Books

Review Posted Online: Dec. 2, 2019

Categories:
Next book

DYLAN GOES ELECTRIC!

NEWPORT, SEEGER, DYLAN, AND THE NIGHT THAT SPLIT THE SIXTIES

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...

Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.

The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.

Pub Date: July 25, 2015

ISBN: 978-0-06-236668-9

Page Count: 368

Publisher: Dey Street/HarperCollins

Review Posted Online: May 15, 2015

Kirkus Reviews Issue: June 1, 2015

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview