A hallucinatory and hair-raising gothic horror story that suffers from a disjointed style.
In 1840, an Englishwoman fights for her sanity—and her life—when she marries into an exceedingly rich and mysterious family.
Orabella Mumthrope is the 26-year-old orphaned daughter of a white father and a Black mother; she’s living with her uncle, who grudgingly puts up with the arrangement, when Elias Blakersby shows up one day asking for her hand in marriage. It’s clear from the moment Orabella meets him that not everything is as it seems. Elias’ appearance is unkempt and his manner undeniably strange, but Orabella is thoroughly seduced by him and agrees to his proposal, leaving behind her family and friends for a new life at the Blakersby family estate. When Orabella and Elias arrive at Korringhill Manor, she discovers a home that has—in typical gothic fashion—fallen into decay. Elias’ family is less than welcoming to his new bride. While some of them are curt and distant, others act far too familiar with Orabella, treating her like a rare creature meant to be on display. Stranger still are the nightmarish bacchanalian dinner parties during which they seem to take on animalistic qualities. Despite Orabella’s initial misgivings, Elias convinces her they will have a long and happy life together as long as she does what she’s told and stays in her room at night. But the longer Orabella spends locked behind the doors at Korringhill, the harder it becomes to tell reality from dreams. While this novel has many of the trappings of a classic gothic, its supernatural undertones make it stand out. At times it feels like a fever dream, and will undoubtedly leave readers confused as they try to parse out what exactly is happening to Orabella within the dimly lit halls of Korringhill; the narrative becomes increasingly unclear as the story progresses.
A hallucinatory and hair-raising gothic horror story that suffers from a disjointed style.Pub Date: July 2, 2024
ISBN: 9780063228092
Page Count: 336
Publisher: Amistad/HarperCollins
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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