Sweet and silly—good enough for Halloween
The barnyard animals love Halloween. Farmer Brown does not. Sounds like the perfect time for tricks and treats!
Since Farmer Brown wants nothing to do with the scary holiday, “he leaves a bowl of candy on the porch….draws the shades and locks the door.” Out in the barn, though, the party is just getting started. Saturated watercolors show Cow dressed as a skeleton, the chickens looking quite ghostly and the sheep donning witch hats. As field mice and cats arrive, creepy sounds begin. The “crunch, crunch, crunching” and the “creak, creak, creaking” lead to a “tap, tap, tapping.” Hearing them, Farmer Brown peeks out his window to investigate. Readers will chuckle and easily recognize “the dark creature standing beneath the trees.” The farmer, however, runs to his bedroom to pull the covers up over his head. Now the sounds repeat, as the figure comes closer. This time, though, the tapping is followed by a “quack, quack, quackle.” Wait—“Quackle??” Farmer Brown goes out to the porch to find the candy bowl gone and a note on the door announcing, “Halloween Party at the barn!” The chorus of onomatopoeic phrases throughout the briskly paced text guarantees an interactive read-aloud, though fans of Duck’s earlier outings will miss their satiric bite.
Sweet and silly—good enough for Halloween . (Picture book. 3-6)Pub Date: Aug. 13, 2013
ISBN: 978-1-4424-6553-4
Page Count: 40
Publisher: Atheneum
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property.
Since a reformed Grinch is hardly any fun, this follow-up Grinches him up once more.
Those seeking more of the same, prepare to receive precisely that. Christmas is coming (again!), and the Grinch can hardly wait. He’s been patient all year, and now he can finally show the Whos down in Who-ville how much he’s changed. When the Grinch learns of a tree-decorating contest, he figures that if he wins, it’ll prove he truly has the Christmas spirit. He throws himself into the task, but when it comes time to judge the trees, the Grinch is horrified to discover that he’s received only the second-place trophy. Can Cindy-Lou Who find the words to save the day? Replicating many of the original beats and wordplay of the original, this tale feels like less a sequel and more like a vaguely rewritten variation. Meanwhile, Ruiz’s art seeks to bridge the gap between the animated Chuck Jones version of the Grinch and the one depicted in the original book. This thankless task results in a strange uncanny valley between Seuss and Jones but does allow the artist a chance to colorize everything and lend some racial diversity to the Who population (Cindy-Lou is light-skinned). (This book was reviewed digitally.)
It’s not whether you win or lose; it’s how many mediocre sequels you can squeeze out of Seussian property. (Picture book. 3-6)Pub Date: Sept. 5, 2023
ISBN: 9780593563168
Page Count: 40
Publisher: Random House
Review Posted Online: Aug. 15, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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