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HELEN'S BIG WORLD

From the Big Words series

A magisterial account.

Helen Keller’s transcendent leap across the barriers of her blindness and deafness continues to inspire.

Rappaport recounts the well-known events of Helen's childhood—the illness that left her blind and deaf as a toddler, her wild willfulness and the advent of Annie Sullivan's companionship and tutelage with liberating results. The wide and tall trim size of this work allows Tavares’ full, close-up, edge-to-edge paintings to bring readers into the story and helps convey Helen’s passion, energy and delight as she defeats her limitations. Generous white space given to the text and the large font for Helen’s own words in every spread invites readers to come close to the subject, to understand Helen’s thrill at learning about the world and to taste some of her intense purpose and passion. What Rappaport adds to the familiar story about Keller is that this determined woman was never inclined to be pigeonholed. Keller continued to hunger after information, to learn about the world and to talk about it: “She spoke against war…and for the right of women to vote and for justice for black Americans.” Rappaport reveals that Keller had her critics, but once given a voice, she used it. There, one begins to realize, is the real story of Keller’s impressive life.

A magisterial account. (author's & illustrator's notes, timeline, sources) (Picture books/biography. 6-10)

Pub Date: Oct. 16, 2012

ISBN: 978-0-7868-0890-8

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Aug. 28, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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CALL ME ROBERTO!

ROBERTO CLEMENTE GOES TO BAT FOR LATINOS

An inspirational, fast-paced biography of a man who broke barriers for athletes of color.

Despite years of racism and discrimination, Roberto Clemente became a baseball legend.

Born in 1934, Clemente grew up in Puerto Rico, where he played baseball using a tree branch and a tin can. At 19, he left the island to play professional béisbol but spent most of his time on the bench. In 1955 he joined the Pittsburgh Pirates; fans “[loved] Roberto’s bold style,” but as a Black Puerto Rican man who spoke English with an accent, he encountered bigotry. Despite his acrobatic plays, his teammates mocked him, newspapers dubbed him a showoff, and many insultingly called him “Bob.” By 1960 he was an All-Star who led the Pirates to victory in his first World Series. Although he was passed over for MVP because of racist attitudes and suffered further injustices while training with the team in segregated Florida, he finished the season with a .351 batting average and in 1961 won his first Gold Glove. Sports journalist Alonso weaves Spanish words into the story and ratchets up the narrative’s energy with play-by-play descriptions of Clemente’s athleticism. Caldecott honoree Gutierrez’s vibrant mixed-media illustrations evoke urban murals or Afro-Caribbean fabrics, pulsing with swirls, designs, and actions saturated in color and fueled by emotion. Alonso’s author’s note offers more context and emphasizes that though Clemente wasn’t the first Afro-Latine player on an American or National League team, he nevertheless made important strides.

An inspirational, fast-paced biography of a man who broke barriers for athletes of color. (timeline, glossary, translation of a quotation, selected bibliography, illustrator’s note, archival photographs, photo credits) (Picture-book biography. 7-10)

Pub Date: Aug. 27, 2024

ISBN: 9781635928112

Page Count: 40

Publisher: Calkins Creek/Astra Books for Young Readers

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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ART IS EVERYWHERE

A BOOK ABOUT ANDY WARHOL

Andy Warhol once said, “I am a deeply superficial person,” and he sure comes across that way.

Readers can explore just what makes art art with Andy Warhol.

A fictional Andy Warhol discusses career highlights as he introduces readers to the existential question “What is art?” The story unfolds in a nonlinear fashion with loose-lined illustrations of Warhol’s life. Early on the artist asks readers: “What does a real artist look like anyway?” From there, the story veers from career highlight to career highlight, hitting the Campbell’s Soup series, the Marilyn Monroe silkscreens, the Velvet Underground (not mentioned by name), and Interview magazine. Along the way, the fictional Andy challenges readers to consider the paradigms of fame, art, and celebrity. It’s a cool challenge, but it’s also one that may be a little too hip and a little too glib for readers. Like the real Warhol, the book drops names without explanation and then flits on to a different topic as if it’s a little bored with the old one. The short, blasé sentences and questions to readers that assume answers combine into a slightly condescending tone that might be very Warhol but isn’t very engaging in a biography section. (This book was reviewed digitally.)

Andy Warhol once said, “I am a deeply superficial person,” and he sure comes across that way. (author's note) (Picture book/biography. 8-10)

Pub Date: Oct. 26, 2021

ISBN: 978-1-250-77715-7

Page Count: 48

Publisher: Henry Holt

Review Posted Online: Sept. 14, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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