As in Mann's My Dad Lives in a Downtown Hotel, above, the purpose here is more therapeutic than aesthetic, but (also like My Dad...) this is an honest and understanding first-person reconstruction of the thoughts and feelings any child might have in the situation. The subject here is death. The narrator's friend Jamie is first seen laughing in a blackberry patch, then stealing apples from an ornery farmer reputed to have a gun; a little later he is poking into a beehive with a stick, and when he screams and falls and writhes on the ground his friend thinks that he is just horsing around as usual. Soon afterwards, Jamie is dead from a bee sting. The other boys's progressive reactions are both individual and psychologically true: first, numb incomprehension and a sense of incongruity ("Did the world know that Jamie was dead? The sky didn't act like it"), then denial ("It seemed that as long as I acted like he wasn't dead, he wouldn't be dead"), bargaining ("Maybe it didn't make much sense but I knew I couldn't eat until after the funeral"), and asking why (when a neighbor answers that some questions do not have answers, "This made more sense than if she tried to tell me some junk about God needing angels"). Then when the blackberries ripen, he picks two baskets, one for his own and one for Jamie's mother, who thanks him and doesn't cry—and "in my relief I felt that Jamie, too, was glad the main sadness was over." Tailormade to support the current emphasis by child psychologists and psychiatrists on preparing children to deal with death. (Fiction. 8-12)
Pub Date: May 21, 1973
ISBN: 978-0-06-440238-5
Page Count: 100
Publisher: T.Y. Crowell
Review Posted Online: March 4, 2013
Kirkus Reviews Issue: May 1, 1973
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
BOOK REVIEW
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