As in Mann's My Dad Lives in a Downtown Hotel, above, the purpose here is more therapeutic than aesthetic, but (also like My Dad...) this is an honest and understanding first-person reconstruction of the thoughts and feelings any child might have in the situation. The subject here is death. The narrator's friend Jamie is first seen laughing in a blackberry patch, then stealing apples from an ornery farmer reputed to have a gun; a little later he is poking into a beehive with a stick, and when he screams and falls and writhes on the ground his friend thinks that he is just horsing around as usual. Soon afterwards, Jamie is dead from a bee sting. The other boys's progressive reactions are both individual and psychologically true: first, numb incomprehension and a sense of incongruity ("Did the world know that Jamie was dead? The sky didn't act like it"), then denial ("It seemed that as long as I acted like he wasn't dead, he wouldn't be dead"), bargaining ("Maybe it didn't make much sense but I knew I couldn't eat until after the funeral"), and asking why (when a neighbor answers that some questions do not have answers, "This made more sense than if she tried to tell me some junk about God needing angels"). Then when the blackberries ripen, he picks two baskets, one for his own and one for Jamie's mother, who thanks him and doesn't cry—and "in my relief I felt that Jamie, too, was glad the main sadness was over." Tailormade to support the current emphasis by child psychologists and psychiatrists on preparing children to deal with death. (Fiction. 8-12)
Pub Date: May 21, 1973
ISBN: 978-0-06-440238-5
Page Count: 100
Publisher: T.Y. Crowell
Review Posted Online: March 4, 2013
Kirkus Reviews Issue: May 1, 1973
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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