None
One's sexual nature and expression, inextricably bound up with one's creative destiny, can, when denied, result in a death-in- life. This cautionary conviction is underscored by novelist and critic Grumbach (the memoir Fifty Days of Solitude, 1994, etc.) in a multi-edged tale about four withered young lives. In the summer of 1929, Caleb (12) and Kate (10) Flowers live with their widowed, deaf mother in a large veranda-ed house in seaside Far Rockaway, N.Y. Then visitors arrive—bossy, 13-year-old Roslyn Hellman and timid Lionel Schwartz, 19—and soon Roslyn is leading games, including one disastrous (and foreshadowing) attempt to test the Book of Knowledge account of the behavior of lemmings. It's also that summer when Caleb and Kate, intrigued by their mirror-image intimacy, experiment sexually. The narrative then turns to another summer when Roslyn, now a bristly young teenager hooked on movies and rebel politics, is at a Catskill all-girls' camp, sneering at her lumpen peers and collecting material for her writing career. (Grumbach's reading of some earnest team efforts to regiment recreation in the early days of summer camps is both funny and touching.) Roslyn has a first serious crush on a counselor (handily rejected); then a few years later Caleb is at college, determined to deny Kate any hint of their childhood sexual games, and theatrically alone—until he meets Lionel. Their love is devouring, absolute. But like Roslyn (whose dreams of accomplishment began to wane after a stint in the wartime WAVES and another dose of the double standard), and like rejected, sin-ridden Kate, Caleb will make a socially acceptable choice. Only Lionel, by his death in the army, escapes the others' long, dry shrivelling of the soul: ``It is true of all human beings that they are dualities...herein lies all the bloody warfare in the person, to be who we are and not what we have been made.'' Immaculate in prose and tone: one of Grumbach's best.
None NonePub Date: June 1, 1995
ISBN: 0-393-03770-3
Page Count: 256
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
IN THE NEWS
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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