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THE MONSTERS

MARY SHELLEY AND THE CURSE OF FRANKENSTEIN

Only the newest arrivals to Shelley-land will discover any novelty here.

Better known as children’s authors (In Darkness, Death, 2004, etc.), the Hooblers address the adult market with a biography of Frankenstein creator Mary Shelley based on a very shaky premise.

Shelley’s famous novel somehow cursed the lives of George Gordon, Lord Byron and his four guests at Villa Diodati on the night when Byron proposed the celebrated ghost story competition, the authors declare. “A dark star hung over all [those] brilliant young people,” they ominously intone. Within a decade of that summer evening in 1816, Mary and Percy Bysshe Shelley lost several babies, then Percy drowned; Mary’s stepsister Claire Clairmont gave birth to Byron’s child, who died at age five; Byron himself was dead before he turned 40; and his friend John Polidori, fifth at the villa, was a probable suicide at 25. They may well have deserved their fates, according to the Hooblers’ highly colored rendering, which depicts everyone involved in Mary’s life as “monsters” in some vague metaphorical sense. Much of what the authors assert is unremarkable. In the early 19th century, children often died young, as did adults. People then—and now—were unfaithful to their spouses, became unhappy and killed themselves, possessed character flaws. In other words, those in the Shelley circle were no more cursed or monstrous than the rest of humanity. The Hooblers further strain their biography’s already over-contrived reliance on Mary’s novel by arguing that she became, in effect, Victor Frankenstein when she devoted herself to reviving her dead husband by publishing his complete poems and burnishing his tarnished reputation. This requires the authors to give very scant attention to Mary’s considerable post-Frankenstein production of novels, stories and nonfiction. Its thin thesis notwithstanding, the volume does reveal that the Hooblers have read the standard biographies of the principals as well as their published correspondence, journals and diaries.

Only the newest arrivals to Shelley-land will discover any novelty here.

Pub Date: May 22, 2006

ISBN: 0-316-00078-7

Page Count: 336

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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