by Dorothy L. Sayers ‧ RELEASE DATE: April 1, 1996
Best known as the creator of the enduringly popular sleuth Lord Peter Wimsey, Sayers gives us glimpses of her life in this selection of vivid and often entertaining correspondence. This collection, which comprises only a fraction of the letters Sayers left, follows the author from her youth—she is only five when she writes the first, remarkably articulate, letter here—through the period of her fame as a mystery writer who is just beginning the religious works of her later years. Throughout, Sayers presents herself as an intriguing combination of reticence ("I never can write about my feelings") and brashness ("I really am a vulgar child"). Intelligent and a keen observer of her surroundings, she demonstrates the ability to sketch character and setting long before she pens her first novel. She does not hesitate to turn her lively sense of humor on herself, as when she notes that her unsuccessful verse translation of the Song of Roland sounds well enough "chanted aloud in the bath-room." Sayers taps all of these abilities to turn out controlled and for the most part upbeat letters, even when she is riding out her infatuation with writer John Cournos, struggling to establish her financial independence, making living arrangements for the illegitimate son she bore and "adopted" but never acknowledged, and coping with a husband who is given to "odd fits of temper." Fans of Sayers's mystery writing will particularly relish some of the later entries that show the author at work: for example, those to Dr. Eusatce Barton sorting out the details of their collaborative novel, The Documents in the Case, and those touching on the work it takes to get the play Busman's Honeymoon to the stage. Absorbing reading on its own, and a worthy companion to Reynolds's biographical Dorothy L. Sayers: Her Life and Soul (1993.)
Pub Date: April 1, 1996
ISBN: 0-312-14001-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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by Emmanuel Carrère translated by Linda Coverdale ‧ RELEASE DATE: Sept. 13, 2011
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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by Emmanuel Carrère ; translated by John Lambert
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by Emmanuel Carrère ; translated by John Lambert
BOOK REVIEW
by Emmanuel Carrère ; translated by John Lambert
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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