An important story about how marginalized groups can work together for social justice, but some elements feel ill-conceived.
When a Black man is “hurt” by police and Black Lives Matter protests are staged in her community, 7-year-old Hmong protagonist Mai knows that “today is different.”
Then Mai’s Black best friend, Kiara, misses school; the two girls usually do everything together…“but not today.” Seeking to understand more about race, Mai questions her teenage brother, Tou, and learns that “in the Hmong culture, there are Black Hmong, White Hmong, Green Hmong, Striped Hmong, and many more.” Although their parents want to shield them from the unfolding events—“It doesn’t have anything to do with you”—the siblings make a protest sign, and Mai uses colored pencils as an object lesson to show her parents that “if we all stand together, we will be unbreakable.” She and Tou run away to a Black Lives Matter rally to march in solidarity with Kiara’s family and are pleasantly surprised when Mom and Dad join them. The book focuses on racism against Black Americans, but Dad and Tou board up their house’s windows, a potentially confusing detail that the story glosses over. Though risking oversimplifying how children process racial trauma, Moua positively portrays a cross-cultural friendship and explores how racial violence impacts children. The backmatter explains the historical discrimination against Hmong people in many countries and emphasizes the importance of African American and Hmong communities uniting to fight injustice. Colorful but mediocre digital paint illustrations add little to the telling but realistically portray urban diversity.
An important story about how marginalized groups can work together for social justice, but some elements feel ill-conceived. (author’s note, pronunciation guide, glossary) (Picture book. 4-7)Pub Date: April 5, 2022
ISBN: 978-1-72843-029-4
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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