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A SPIDER FOR LOCO SHOAT

The killers who leave a naked corpse on an Arkansas River bank in the spring of 1907 lead legendary lawman Oscar Schiller a merry chase through Indian Country and beyond, in another delightful period piece from Jones (Shadow of the Moon, 1996, etc.). Schiller (last heard from in The Search for Temperance Moon, 1991) has not gone gently into the good night of retirement, so he's quick to take an uninvited hand in the mysterious murder of Gerald Wagstaff, a prominent Fort Smith businessman. After determining that there's more to the case than Sheriff Leviticus Tapp (a Dartmouth man who bears frequent witness to the strength of his religious faith) would have the public believe, the Waspish ex- federal marshall wangles a carte blanche commission from the local US Attorney. With the help of an Osage (aptly named Joe Mountain), Schiller noses about his old stomping ground, the Oklahoma Territory, now in the early stages of a crude-oil boom. While prowling the rapidly changing frontier, he sustains a gunshot wound, but not before he learns that the dead man had masterminded a lucrative scam that involved selling bootleg drilling equipment and holding large American Express under false names. From a half- witted outlaw, Schiller gets a line on Lota Berry, Wagstaff's missing paramour, and back in Fort Smith, the dogged sleuth locates the hapless Lota's body at the bottom of a dry well. Her moonlight disinterment soon flushes out the principal plotters in a sorry tale of betrayal, coerced confessions, embezzlement, homicide, hypocrisy, and torture. At the close, the culpable pay varied prices for their crimes, and the quirky Schiller makes an effort to adapt to a city overtaken by modern conveniences—automobiles, for example, electricity, and the telephone. Entertaining fare expertly set in a turning-point of American history, from a prolific old pro whose oeuvre bears consideration as a national treasure.

Pub Date: June 1, 1997

ISBN: 0-8050-4849-9

Page Count: 288

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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