An intriguing, addictive peek at the early 20th century with two strong female protagonists.
This first installment of a historical fiction trilogy traces the fortunes of four close friends who meet in Paris in 1900.
In the winter of 1966, Isabelle Lavigne, a 26-year-old French reporter, arrives on Blackwater Island in Maryland. She is there to learn the truth about the mysterious drowning of her grandmother Suzanne de Lamothe in 1919. She is seeking answers from Suzanne’s best friend, American artist Jennie Latmore. For Jennie, now 82 years old, reliving the past is traumatic, and she refuses to answer Isabelle’s questions—until the young woman shows her a damning little red book and several photographs found in her mother’s trunk. Jennie relents: “To understand…You must know it all from the beginning, as I lived it and as it was told to me.” The narrative then jumps back to 1900, and an enthusiastic 16-year-old Jennie arrives in Paris to begin her tenure as assistant governess for the children of the new American ambassador to France. Her roommate in the servants’ quarters is the equally young Suzanne, a French scullery maid. Despite a confrontational start, the two become fast friends. When the ambassador holds a dinner party, Jennie and Suzanne watch from the second-floor landing, catching the eyes of two handsome, fun-loving guests, French painter Geste D’Arcourt and British sculptor Charlie Clark. Through the complicated relationships of these four protagonists—and the forces that send them, reluctantly, in different directions—Peake (Arbutus Halethorpe and the Elevator Murders, 2018, etc.) vividly brings readers back to the first few years of the 20th century. From the Bohemian Left Bank in Paris (where readers meet Matisse and Picasso) to the great expanses of the American Southwest and the horrors of the Boxer Rebellion in China, the four friends struggle against societal mores, personal frailties, violence, and tragedy. The engrossing melodrama is marred only by some editing mishaps (“It made her she had a leg up on her”). Still, four well-developed characters, numerous supporting players, and meticulous lifestyle depictions should keep readers engaged.
An intriguing, addictive peek at the early 20th century with two strong female protagonists.Pub Date: March 24, 2018
ISBN: 978-1-980639-76-3
Page Count: 488
Publisher: Time Tunnel Media
Review Posted Online: Nov. 24, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
