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THE PRIEST OF BLOOD

Well-paced fantasy adventure, and not just for hardcore vampire fans.

The opening of a historical fantasy series with a vampire as protagonist.

Clegg (The Machinery of Knight, 2005, etc.) begins his story in the era of the Crusades; the opening chapters take place in Brittany, the protagonist's birthplace. The bastard son of a peasant woman who ekes out a living as a prostitute, Aleric grows up in the forest, tutored by his grandfather to know the ways of birds. This skill gains him a place in the baron's entourage as a falconer—a title that replaces his given name. Life in the castle exposes Falconer to new dangers, including bullying from another young servant and harsh discipline from the huntsman, his immediate superior. But it is also a huge step up in the world, and allows him to give some measure of support to his mother and her ever-growing brood. Two events precipitate his fall from this state of relative prosperity: an affair with the baron's beautiful daughter, and the arrest of Falconer's mother for witchcraft. Attempting to parlay the daughter's favor into a pardon for his mother, Falconer oversteps and is sold into slavery as a foot soldier in the crusades. After many battles, he enters a ruined city inhabited by a vampire, and becomes one of the undead, at which point the real action begins. Clegg invests his vampires with a long mythological history, in which Falconer finds himself a central figure: the long-awaited messiah-like figure of the vampires. In fulfillment of the prophecies, Falconer and his vampire companions undertake an arduous (and suitably bloody) quest through a vividly drawn fantastic landscape. Meanwhile, back in Brittany, we learn that Falconer's beloved, now a nun, has been seduced into the service of the evil forces against which Falconer and his vampires are aligned. The conclusion sets the stage for further struggles.

Well-paced fantasy adventure, and not just for hardcore vampire fans.

Pub Date: Oct. 4, 2005

ISBN: 0-441-01327-9

Page Count: 320

Publisher: Ace/Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2005

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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THE NIGHT CIRCUS

Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.

The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.”

Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.

Pub Date: Sept. 13, 2011

ISBN: 978-0-385-53463-5

Page Count: 384

Publisher: Doubleday

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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