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Stories My Father Never Finished Telling Me

LIVING WITH THE ARMENIAN LEGACY OF LOSS AND SILENCE

An affecting account of an American man attempting to uncover his Armenian heritage and history.

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Kalajian’s (co-author: They Had No Voice: My Fight for Alabama’s Forgotten Children, 2013, etc.) “ethno-memoir” is an elegiac reflection on growing up under the specter of the trials a family, and a whole people, experienced.

Kalajian, in his third book, touches upon both his upbringing as an American boy and his being a bearer of a tortured Armenian past. The remembrances are deeply personal meditations on what it was like to live distanced from a world with which he had very little direct contact even as it powerfully shaped his life. Readers will sense the author’s background as an investigative journalist as he tries to wrestle the facts of his history from his family’s laconic resistance to speak openly about it. Kalajian’s inscrutable father is a near mystery; only slowly, in fits and starts, does Kalajian learn about his adventurous but hardship-ridden life. He had no idea his father went to China or Borneo and no idea his father grew up in Greece or that he was raised in an orphanage. Even his more voluble mother’s tales were carefully edited and studiously redacted. While not intended as a work of rigorous scholarship, Kalajian’s book contains considerable discussion about the history of Armenians, and much is revealed about their experience with Turkish persecution and global neglect. However, this is largely an autobiographical tale. “I am not a historian, and this is not a book of facts and dates and sober analysis,” he says. “This is a story told by a man born in midair whose only hope for a good night’s sleep is to close his fingers around the frayed cord of history and tug with all his might.” His polished, sometimes even poetic prose evokes a sense of curiosity and lament. In response to his family’s silence—and to the silence of a whole people still shellshocked by their grim treatment—Kalajian has become a professional storyteller and an excellent one at that.

An affecting account of an American man attempting to uncover his Armenian heritage and history.

Pub Date: May 31, 2014

ISBN: 978-0615979021

Page Count: 258

Publisher: 8220 Press

Review Posted Online: Jan. 1, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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