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MOUNT DRAGON

Following fast on the heels of 1995's Relic—the scariest thriller ever set in the American Museum of Natural History— dynamic duo Douglas and Child once again demonstrate their mastery of the genre, this time hopping the killer-virus bandwagon to evoke plenty of healthy bioparanoia. Meet Guy Carson, an Ivy-trained cowboy biologist (he's kin to Kit) who's been relocated from New Mexico to New Jersey, there to drudge through species-altering genetic research for GeneDyne, a vast biomedical conglomerate presided over by Brent Scopes, the authors' version of geek-tycoon Bill Gates. Scopes has sequestered a band of modern-day Trinity Project scientists at Mount Dragon, in the middle of the New Mexico desert, in an attempt to concoct a cure for the flu. When one of Scopes's team goes off the deep end, he plucks Carson from his employee pool, and the melancholy genius-wrangler leaps at the opportunity to return to his ancestral lands. Meanwhile, an uppity Harvard geneticist and former pal of Scopes's, Charles Levine, has dedicated his considerable chutzpa to proving that GeneDyne is out to alter irrevocably the evolutionary path of humankind. Carson dives into his new assignment, but it isn't long before his optimism falters: Solving the influenza-immunity problem won't be a cinch, as it turns out, and then a team member is accidentally infected with the deadly superflu, leading to an exquisite exploding-brain scene. Something's rotten at Mount Dragon, and Carson's suspicions are only compounded by the appearance of a nebbishy government investigator, a paranoid chief of security, and a Mexican-American lab assistant who winds up abetting Carson's eventual flight from a potential Andromeda Strain scenario. For additional nerdy pyrotechnics, don't skip Levine's cyberspace showdown with Scopes. Didactic at times, but, still, the thrillfest runs full-force to (almost) the very last page. (Author tour)

Pub Date: Feb. 1, 1996

ISBN: 0-312-86042-0

Page Count: 352

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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