by Douglas Preston ‧ RELEASE DATE: Dec. 5, 2023
Buffs of buried-treasure and long-ago true-crime tales will enjoy Preston’s expertly woven tales.
More adventure journalism from the noted thriller author.
As Preston, author of The Lost City of the Monkey God, writes in an engaging introduction, “I could never have become a novelist without first being a nonfiction journalist”—or a childhood reader of adventure tales, including one about the presumed pirate booty buried on Nova Scotia’s Oak Island. The author remembered that particular yarn as a grownup, traveled there, and wrote a story for Smithsonian that was “the most popular [article] the magazine had ever published.” His story, like many included here, turns up more questions than answers, but it’s worth noting that it also spawned a long-running reality-TV series that, if nothing else, speaks to our fascination with all things buried. One piece centers on the so-called Monster of Florence, whose brutal crimes Preston tracks long after the fact, confident that he could reveal the true story behind them, only to conclude, “Any crime novel, to be successful, must contain certain basic elements: there must be a motive; evidence; a trail of clues; and a process of discovery that leads, one way or another, to a conclusion,” adding, “life…is not so tidy.” Among the assorted untidy puzzles is the twisted tale of Kennewick Man, a skeleton that turned up in an eroding Washington riverbank and that touched off a huge controversy when its DNA suggested ancient European origins. It’s one of several archaeology-based pieces that deal with similar controversies: whether the possibility that cannibalism may have taken place in the ancient Southwest (with the ghoulish problem one archaeologist faced: “he needed a way to identify human tissue that had passed through the digestive system of another human being”), or why hundreds of skeletons were found at a lake high in the Himalayas.
Buffs of buried-treasure and long-ago true-crime tales will enjoy Preston’s expertly woven tales.Pub Date: Dec. 5, 2023
ISBN: 9781538741221
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: Sept. 15, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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edited by Margaret Atwood & Douglas Preston
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by Omar El Akkad ‧ RELEASE DATE: Feb. 25, 2025
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
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by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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by Shavone Charles ; illustrated by Ashley Lukashevsky
by Leo Baker ; illustrated by Ashley Lukashevsky
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