An engaging and scabrous alternative-universe farce about the American government.
In this satire, sham news articles, memos, prose, and dialogue transcriptions follow the fantastical fortunes of the George H.W. Bush presidential dynasty, whose members are human-alien hybrids in thrall to insect extraterrestrials and opposed by a group of talking fish and others.
Robinson delves into the conspiracies and extremes of the UFO and Edgar Cayce cults for this broad lampoon. The premise proposes that Texas broke off from the United States to become a right-wing/racist police state. The New England family of patrician Prescott Bush is appointed to the Texas presidency and intelligence services. It turns out that all of Earth’s ruling elite families are secretly human-alien hybrids who answer to ageless, spaceship-riding insect ETs from Atlantis. The principal insect agent is W. Averell Harriman, aka Dogsbody Harriman, a praying mantis. Dogsbody’s foes are the Lemurians, who include talking fish and mer-people. They are led by a lunar diving beetle forced off the moon by Atlantean aggression. Prominent on the beetle side: Abraham Lincoln, occasionally sighted in Texas aquatic habitats astride a horned “devil-water-cow.” The narrative becomes alt-history shaped by fish versus bug intrigues. Bush scions George H.W. and George W. are both disappointing clones, given to multiple malapropisms (“This really gets my groat, people correcting my English”). Though they are promised prominence by Dogsbody, subversion by the fishy terrorists and the maneuverings of rivals John F. Kennedy, Lyndon B. Johnson, and Richard Nixon thwart the Bush family’s ambitions temporarily. There are assassinations, drug smuggling, the invasion of Panama, sexual perversions, and the Reverend Moon. Perhaps the biggest surprise is that the most famous Bush family escapades (attacks on Iraq, Hurricane Katrina, the Great Recession) do not enter into the picture. The complex burlesque recalls such surreal confabulations as Robert Mayer’s I, JFK (1989) and Chuck Barris’ Confessions of a Dangerous Mind (1984). In its best parts, Robinson’s yarn captures the nasty wit of vintage National Lampoon political parodies; other times, it treads into bad taste, working real-life tragedies (First Lady Laura Bush’s teenage car fatality) into the kooky cosmology. The striking tale provides redeeming social value in the occasional impressions of the government encompassing amoral power blocs and game players, treating the common folk as so many insects as they scheme outrageously for control and privilege.
An engaging and scabrous alternative-universe farce about the American government.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: May 6, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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