by J.I. Vatanen ; translated by Douglas Robinson ‧ RELEASE DATE: Oct. 31, 2022
A clever but wearisome performance of postmodern literary theory.
A confusing novel loosely dramatizes Finland’s tumultuous political history.
J.I. Vatanen is a young Finnish actor, and after a performance, he’s drawn to twins M. and Maiju Lassila. The gender of the twins is apparently less than obvious—people ask all the time—but they identify as nonbinary. Maiju, though, is a female name, and throughout the narrative told by Vatanen, both are referred to as females. This basic uncertainty is at the heart of this bewildering memoir-novel, which at every turn communicates information to the reader that is often, sometimes immediately, called into suspicion. The trio become very close, forming a “magical embrace,” and Vatanen and Maiju in particular are “soulmates” from the start. Their friendship occurs during a perilous time in Finnish history—they all meet at the end of the 19th century when Finland is ruled by Russia, though with an “extraordinarily light” hand. The Russians execute a coup, however, and assert a more aggressive control of Finland, one designed to produce the “Russification” of the country, a history intelligently conveyed by the author. But the plot isn’t the point. The entire book is presented as a “psueodotranslation” of Vatanen’s work—it’s never obvious that the book Robinson purports to translate exists. Also, the book is a fictional memoir written by Vatanen about Maiju, but both names are pseudonyms for Algot Untola, a Red agitator executed during the civil war. Algot comes back to life, calling into question even his death. In short, Robinson ensures the reader is always lost and makes it clear this is his intention in the preface to the book, a literary approach with a long pedigree the author dutifully acknowledges. So what precisely is the point of deploying a derivative literary technique to tell an unintelligible story that lacks dramatic power? This question is likely to occur to the rare reader who makes it to the end of this postmodern facsimile offered as an experiment.
A clever but wearisome performance of postmodern literary theory.Pub Date: Oct. 31, 2022
ISBN: 9781639885305
Page Count: 232
Publisher: Atmosphere Press
Review Posted Online: Nov. 28, 2022
Review Program: Kirkus Indie
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by Mia Kankimäki ; translated by Douglas Robinson
BOOK REVIEW
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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