A fun and engrossing superhero sequel.
Smith’s YA Dream Rider Saga continues as its eponymous superhero protagonist faces even bigger challenges in this fantasy novel.
Will Dreycott is the wealthy 17-year-old superhero/hooded vigilante called the Dream Rider, who has the ability to travel through people’s dreams. His most recent victory saw him save the world and defeat a villainous duo alongside his new girlfriend, Case, and her brother, Fader. The trio now live together in Will’s luxurious tower (a building the rich teen has outfitted for his own purposes) in Toronto, but there is trouble in paradise: Will still yearns to find his parents, who disappeared mysteriously eight years earlier while on an expedition in Peru, and to learn the truth behind his astral powers and his severe agoraphobia. Case and Fader also hope to find their mother, who likewise disappeared years before. Meanwhile, the siblings’ own strange superhuman abilities start to malfunction as Case’s inner Voice, which warns her of danger, starts to multiply, and Fader’s ability to “fade out” makes him disappear from people’s sight—and from their memories. Further complicating matters, a cult of warring sisters schemes to obtain a mysterious crystal key by any means necessary as, in the background, a sinister figure plots away. The author’s sequel to the excellent The Hollow Boys (2022) ups the ante for adventure and suspense and continues to deftly fuse superhero and fantasy tropes. The trio of protagonists have relatable inner struggles and compelling story arcs that work well both independently and when woven into the overarching storyline of Will’s parents’ fateful expedition. Smith excels at strong action sequences, worldbuilding (introducing engaging new characters and the concept of the multiverse), and humorous dialogue: “Home Boy, ever notice your explanations don’t, you know, explain? Anything. At all.” There is plenty here to entice readers to return for the grand finale.
A fun and engrossing superhero sequel.Pub Date: March 11, 2023
ISBN: 9781928048336
Page Count: 384
Publisher: Spiral Path Books
Review Posted Online: April 18, 2023
Kirkus Reviews Issue: June 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)
In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.
Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)Pub Date: March 22, 2016
ISBN: 978-1-4814-4935-9
Page Count: 384
Publisher: McElderry
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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