A sensitive, firsthand treatment of the topic made all the richer by its inclusion of the author’s religion and culture.
In this graphic memoir, Awada, a “young Muslim woman who lives in America’s heartland,” shares her struggle with body dysmorphic disorder.,
Awada was raised in a Middle Eastern culture in which “there is never a shortage of food nourishment, and love”—in fact, “feeding your children is love.” But when Awada was 6, her aunt called her “too big,” and “that was the day…they flipped a switch that could never be turned off.” As she ages, she finds a “new family [in] food,” which becomes her best friend in a world where she wants to be perfect, just like her meticulous mom. In high school, Awada turns to dieting, then starving herself, and then purging. Although she feels “such euphoria” after purging, Awada only grows weaker. The author admits that she could have died, “but, by the grace of Allah (God), I am here… / …alive to tell my story.” Illustrations capture her fragile body and growing weakness. Meanwhile, her family struggles to pay for her treatment. With help, she starts to heal and realizes that “imperfection is beautiful.” Heartfelt narration works with Firmansyah’s art and Kamaputra’s bold colors to depict Awada’s changes—weight gain and finding comfort in food to weight loss, all while struggling to be perfect. A closing note from a professional provides tips for identifying and avoiding eating disorders.
A sensitive, firsthand treatment of the topic made all the richer by its inclusion of the author’s religion and culture. (Graphic memoir. 11-15)Pub Date: April 16, 2019
ISBN: 978-1-947378-07-0
Page Count: 96
Publisher: Zuiker Press
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
Potentially useful insights for youngsters encountering loss.
Advice on coping with loss, from the death of a family member or a close friend to a beloved pet’s demise to life-changing events such as divorce.
Imperi, a chaplain and thanatologist (“someone who knows about death, dying, grief and loss”), uses her own terminology to distinguish between “deathloss” (“when a person or an animal we love dies”) and “shadowloss” (“the death of something, not someone”). These categories make sense, but kids grieving the death of a loved one may find it difficult to wade through sections about other serious problems. Although the recent pandemic caused many actual deaths, this book describes Covid as a shadowloss, a disrupter of normal life. Imperi mentions a few religious traditions, but the book is primarily concerned with practical ideas and individual experiences. Specific thinking, writing, and creative exercises for moving through the grief process are included. She spotlights five diverse teens, along with their coping strategies for different types of loss; they appear to be composite portraits rather than real individuals. The black-and-white line illustrations and charts throughout will appeal to some, but the boxed affirmations on many pages may feel repetitive to others; the work overall feels a bit like an expanded magazine article. Still, patient readers will likely find guidance—and reassurance.
Potentially useful insights for youngsters encountering loss. (grief journal, glossary, note for caregivers, resources, references, index) (Nonfiction. 11-14)Pub Date: Oct. 1, 2024
ISBN: 9781525309656
Page Count: 200
Publisher: Kids Can
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
As an overview of global conflict, it’s concise and accessible—remarkably so—but as a call to individual action, it’s less...
A penetrating look into the roots of global conflict, the many ways it can begin and possible resolutions.
Attempting to answer the question “Why do we fight?” is ambitious from the start. Following a natural arc by explaining different types of conflict and then contemplating ways conflict can escalate, Walker touches on topics that could each have their own book. However, she keeps the pace lively and the flow of information smooth. Preteen readers may anticipate finding solutions to conflicts in their everyday life, but instead, the focus is on global issues: fighting over natural resources, culture clashes, religious beliefs, etc. Underlying parallels to personal practice can certainly be drawn, but it is not the ultimate purpose of this work. Designed in a visual, infographic style with bold headlines and a sharp yellow, black and white color scheme, the sunny layout provides structure and bounce to a dense topic. In a concluding chapter entitled “What do YOU think?” Walker encourages readers to use their newfound knowledge and tolerance to become global activists. A laudable goal, but directions to getting involved with organizations such as UNICEF’s Voices of Youth or Amnesty International would have been appreciated.
As an overview of global conflict, it’s concise and accessible—remarkably so—but as a call to individual action, it’s less successful. (sources, index, author’s note) (Nonfiction. 11-14)Pub Date: Sept. 15, 2013
ISBN: 978-1-926973-86-9
Page Count: 80
Publisher: Owlkids Books
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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