A sensitive, firsthand treatment of the topic made all the richer by its inclusion of the author’s religion and culture.
In this graphic memoir, Awada, a “young Muslim woman who lives in America’s heartland,” shares her struggle with body dysmorphic disorder.,
Awada was raised in a Middle Eastern culture in which “there is never a shortage of food nourishment, and love”—in fact, “feeding your children is love.” But when Awada was 6, her aunt called her “too big,” and “that was the day…they flipped a switch that could never be turned off.” As she ages, she finds a “new family [in] food,” which becomes her best friend in a world where she wants to be perfect, just like her meticulous mom. In high school, Awada turns to dieting, then starving herself, and then purging. Although she feels “such euphoria” after purging, Awada only grows weaker. The author admits that she could have died, “but, by the grace of Allah (God), I am here… / …alive to tell my story.” Illustrations capture her fragile body and growing weakness. Meanwhile, her family struggles to pay for her treatment. With help, she starts to heal and realizes that “imperfection is beautiful.” Heartfelt narration works with Firmansyah’s art and Kamaputra’s bold colors to depict Awada’s changes—weight gain and finding comfort in food to weight loss, all while struggling to be perfect. A closing note from a professional provides tips for identifying and avoiding eating disorders.
A sensitive, firsthand treatment of the topic made all the richer by its inclusion of the author’s religion and culture. (Graphic memoir. 11-15)Pub Date: April 16, 2019
ISBN: 978-1-947378-07-0
Page Count: 96
Publisher: Zuiker Press
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
Levinson builds her dramatic account around the experiences of four young arrestees—including a 9-year-old, two teenage...
Triumph and tragedy in 1963 “Bombingham,” as children and teens pick up the flagging civil rights movement and give it a swift kick in the pants.
Levinson builds her dramatic account around the experiences of four young arrestees—including a 9-year-old, two teenage activists trained in nonviolent methods and a high school dropout who was anything but nonviolent. She opens by mapping out the segregated society of Birmingham and the internal conflicts and low levels of adult participation that threatened to bring the planned jail-filling marches dubbed “Project C” (for “confrontation”), and by extension the entire civil rights campaign in the South, to a standstill. Until, that is, a mass exodus from the city’s black high schools (plainly motivated, at least at first, almost as much by the chance to get out of school as by any social cause) at the beginning of May put thousands of young people on the streets and in the way of police dogs, fire hoses and other abuses before a national audience. The author takes her inspiring tale of courage in the face of both irrational racial hatred and adult foot-dragging (on both sides) through the ensuing riots and the electrifying September bombing of the Sixteenth Street Baptist Church, then brings later lives of her central participants up to date.Pub Date: Feb. 1, 2012
ISBN: 978-1-56145-627-7
Page Count: 176
Publisher: Peachtree
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
As an overview of global conflict, it’s concise and accessible—remarkably so—but as a call to individual action, it’s less...
A penetrating look into the roots of global conflict, the many ways it can begin and possible resolutions.
Attempting to answer the question “Why do we fight?” is ambitious from the start. Following a natural arc by explaining different types of conflict and then contemplating ways conflict can escalate, Walker touches on topics that could each have their own book. However, she keeps the pace lively and the flow of information smooth. Preteen readers may anticipate finding solutions to conflicts in their everyday life, but instead, the focus is on global issues: fighting over natural resources, culture clashes, religious beliefs, etc. Underlying parallels to personal practice can certainly be drawn, but it is not the ultimate purpose of this work. Designed in a visual, infographic style with bold headlines and a sharp yellow, black and white color scheme, the sunny layout provides structure and bounce to a dense topic. In a concluding chapter entitled “What do YOU think?” Walker encourages readers to use their newfound knowledge and tolerance to become global activists. A laudable goal, but directions to getting involved with organizations such as UNICEF’s Voices of Youth or Amnesty International would have been appreciated.
As an overview of global conflict, it’s concise and accessible—remarkably so—but as a call to individual action, it’s less successful. (sources, index, author’s note) (Nonfiction. 11-14)Pub Date: Sept. 15, 2013
ISBN: 978-1-926973-86-9
Page Count: 80
Publisher: Owlkids Books
Review Posted Online: Aug. 13, 2013
Kirkus Reviews Issue: Sept. 1, 2013
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