by D.R. Meckfessel ‧ RELEASE DATE: N/A
An assortment of intriguing characters and subplots neatly packed into a memorable cautionary tale.
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In this debut sci-fi novel, a world already facing nuclear devastation may be under threat from an unexplained space phenomenon.
In 2066, U.S. President Antoinette Proust has a potential crisis on her hands. Numerous regions around the globe are participating in nuclear activity, an outright violation of the Non-Proliferation Treaty. Unfortunately, the problem is considerably graver than nuclear testing. Mossad agents Hannah Rabin and David Strauss have recently uncovered evidence of more than 50 black market transactions involving sales of atomic bombs. This indicates that unknown terrorist groups worldwide could be in possession of 50 nuclear weapons. Around the same time, an observatory in Chile notices missing star clusters and a strange void of darkness suddenly appearing in space. This phenomenon, which the United States eventually dubs Tilly, shares traits with a black hole, though scientists immediately debunk that possibility. Even if no one can identify it, it’s only 240,000 miles from the planet and, therefore, a probable danger. Tilly’s gravity, for one, appears potent enough to “swallow light,” and that level of power would be catastrophic if the singularity moves closer to Earth. Meanwhile, the president, anticipating terrorist strikes around the world, considers relinquishing America’s current isolationism and returning to foreign intervention. She soon learns of Tilly, which renowned astrophysicist Dean Peterson and others are debating at NASA headquarters. A theory on what Tilly is, based on a similar marvel in 1914, may lead to a solution regarding the impending threat of nuclear disaster. Meckfessel takes an unusual but engrossing multigenre approach to the narrative. It begins as an espionage story: Hannah and David are on assignment to infiltrate dubious art dealer Josef Doubhani, who’s actually Amir al Suhenaddin, a chemical weapons supplier. The tale even highlights the agents’ relationship, as the two lovers make plans to leave Mossad. The action then abruptly shifts to an orbital space station and later introduces myriad additional characters, such as Nambuko, a man leading a band of travelers to Ethiopia. Though jarring at first, the ensuing abundance of character perspectives proves advantageous, helping to maintain a consistently brisk momentum. For example, theoretical discussions of Tilly unfold in multiple short scenes that don’t slow down the tale. Perhaps not surprisingly, there’s ample dialogue, but the author illustrates the ongoing tension via description; at one point, the only activities in a room at NASA are a typing keyboard, someone pacing, and a tapping pen. Some characters and subplots are a mystery in terms of their connection to the main thread. But each of these has a payoff, including Nambuko as well as Theresa Judge, whose seemingly modest civil rights movement has a serious impact in America. Considering all that the book accommodates—several characters’ backstories; details of the future world; and the startling decision of how to handle Tilly—it’s relatively short. Meckfessel wisely leaves the ending of his concise novel wide open.
An assortment of intriguing characters and subplots neatly packed into a memorable cautionary tale.Pub Date: N/A
ISBN: N/A
Page Count: 324
Publisher: Kurti Publishing
Review Posted Online: Nov. 20, 2018
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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