by D.R. Meckfessel ‧ RELEASE DATE: N/A
An engaging second sci-fi installment with remarkable details and characters.
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Six people from the 21st century travel 152 years into the past in order to prevent nuclear destruction in Meckfessel’s (Thread Discarded, 2018) sci-fi sequel.
In 2066, as atomic explosions rock the globe, a crew of astronauts flies through a wormhole toward a 20th-century destination. The six crew members’ mission is to “disinvent” nuclear weaponry and thus avert Earth’s apocalyptic end. Landing in the Swiss Alps in the year 1914, they gradually acclimate to the new time period and later separate into three couples. In the United States, NASA astrophysicist Dean Peterson joins Lusanne Demeraux, whose has expertise in capital markets; they work to help prevent the country’s economic collapse. The other two couples—best-friend pilots, U.S. Navy Cmdr. Maria Hampton and Lt. Col. “Boley” Boleskaya, and former Mossad operatives Hannah Rabin and David Strauss—have decidedly different agendas. They plan to “subtract”—that is, kill—key political figures who have ties to the impending Bolshevik Revolution or the Cold War’s nuclear arms race. Another of Hannah and David’s missions is to kill Adolf Hitler before he reaches power. Although the group tries its best to remain incognito, it’s evident, at least to readers, that someone’s shadowing them. Hannah, David, and the others soon suspect that the Bolsheviks may be aware of the assassinations—and they’re out for blood. As the group members suffer physical injuries and mental anguish, they find that they may not be able to escape their adversaries in Germany—especially at the height of World War I. Meckfessel keeps things relatively simple in this novel, which is to its benefit. For example, time travel is not the primary focus of the story, and although the group acknowledges future historical events, such as World War II, their own tale spans no more than five years. There are hints of romance among various characters, but the author makes each couple distinctive. Dean and Lusanne’s relationship, for example, is only just beginning at the book’s start, while Hannah and David have been an item for years. Conflict spices up the narrative, as well, as when someone’s commitment wavers and Hannah’s growing paranoia causes strife. Additional characters play important roles, including Swiss Federal Police officer Felix Rickart, who monopolizes a lengthy section of the story; he’s a curious, enigmatic gentleman who teams up with whip-smart freelance reporter Greta Bertrand and investigates recent deaths from an epidemic that he surmises are assassinations. But when the plot shifts back to Maria and company, readers will have a long wait before they see Felix and Greta again. As in Meckfessel’s preceding novel, the prose is lucid and concise, as in a scene with Hannah at a German military hospital: “Wounded and maimed men reached for her in agony….Her shoes made a sickening clack as she pulled them from the floor, sticky with drying blood.” Despite a conclusive resolution, there’s a fun twist in the last few pages that suggests a possible sequel or two.
An engaging second sci-fi installment with remarkable details and characters.Pub Date: N/A
ISBN: N/A
Page Count: 426
Publisher: Kurti Publishing
Review Posted Online: Aug. 20, 2019
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
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New York Times Bestseller
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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