A standout in the Detroit rehab genre.
A young man finds joy in a “place they said no one could love.”
In 2009, at age 23, Philp bought a house for $500 in Detroit: an abandoned 1903 Queen Anne with a wraparound porch. One of many such bargains available in the bankrupt city, the house and the story of its yearslong rehabilitation are the focus of this fresh, honest, often stirring debut, which began as a BuzzFeed feature. A shy, idealistic working-class white kid from rural Michigan, the author arrived in the 80 percent black city with no friends, job, or money. Fixing the house “would be a protest of sorts,” he reasoned, an expression of his contempt for the wealthy suburban lifestyle of Ann Arbor, where he had just attended the University of Michigan. Working odd jobs, he found himself in a frightening city of wild dogs, frequent shootings, suspicious fires, and near-daily offers of drugs or sex. One new neighbor, Zeno, a crack dealer, asked him, “are you wearing a wire, motherfucker?” Another told Philp about a county auction of thousands of abandoned houses, an event that kicks off this deeply felt, sharply observed personal quest to create meaning and community out of the fallen city’s “cinders of racism and consumerism and escape.” Often hungry and scared, the author had help from his parents and new friends (most wild spirits sharing in the adventure of a revitalizing city) in working with abandoned materials to cobble his broken-down home, from chimney and stairs to foundation. The grueling process not only reveals his growing maturity, but also becomes a window on the look and feel of present-day Detroit and the neighborly people struggling to achieve satisfying lives there. Philp ably outlines the broad issues of race and class in the city, but it is the warmth and liveliness of his storytelling that will win many readers. “It is your sacred duty to find hope somewhere,” he reminds us.
A standout in the Detroit rehab genre.Pub Date: April 11, 2017
ISBN: 978-1-4767-9798-4
Page Count: 304
Publisher: Scribner
Review Posted Online: Feb. 12, 2017
Kirkus Reviews Issue: March 1, 2017
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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