A standout in the Detroit rehab genre.

A $500 HOUSE IN DETROIT

REBUILDING AN ABANDONED HOME AND AN AMERICAN CITY

A young man finds joy in a “place they said no one could love.”

In 2009, at age 23, Philp bought a house for $500 in Detroit: an abandoned 1903 Queen Anne with a wraparound porch. One of many such bargains available in the bankrupt city, the house and the story of its yearslong rehabilitation are the focus of this fresh, honest, often stirring debut, which began as a BuzzFeed feature. A shy, idealistic working-class white kid from rural Michigan, the author arrived in the 80 percent black city with no friends, job, or money. Fixing the house “would be a protest of sorts,” he reasoned, an expression of his contempt for the wealthy suburban lifestyle of Ann Arbor, where he had just attended the University of Michigan. Working odd jobs, he found himself in a frightening city of wild dogs, frequent shootings, suspicious fires, and near-daily offers of drugs or sex. One new neighbor, Zeno, a crack dealer, asked him, “are you wearing a wire, motherfucker?” Another told Philp about a county auction of thousands of abandoned houses, an event that kicks off this deeply felt, sharply observed personal quest to create meaning and community out of the fallen city’s “cinders of racism and consumerism and escape.” Often hungry and scared, the author had help from his parents and new friends (most wild spirits sharing in the adventure of a revitalizing city) in working with abandoned materials to cobble his broken-down home, from chimney and stairs to foundation. The grueling process not only reveals his growing maturity, but also becomes a window on the look and feel of present-day Detroit and the neighborly people struggling to achieve satisfying lives there. Philp ably outlines the broad issues of race and class in the city, but it is the warmth and liveliness of his storytelling that will win many readers. “It is your sacred duty to find hope somewhere,” he reminds us.

A standout in the Detroit rehab genre.

Pub Date: April 11, 2017

ISBN: 978-1-4767-9798-4

Page Count: 304

Publisher: Scribner

Review Posted Online: Feb. 13, 2017

Kirkus Reviews Issue: March 1, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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