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A $500 HOUSE IN DETROIT

REBUILDING AN ABANDONED HOME AND AN AMERICAN CITY

A standout in the Detroit rehab genre.

A young man finds joy in a “place they said no one could love.”

In 2009, at age 23, Philp bought a house for $500 in Detroit: an abandoned 1903 Queen Anne with a wraparound porch. One of many such bargains available in the bankrupt city, the house and the story of its yearslong rehabilitation are the focus of this fresh, honest, often stirring debut, which began as a BuzzFeed feature. A shy, idealistic working-class white kid from rural Michigan, the author arrived in the 80 percent black city with no friends, job, or money. Fixing the house “would be a protest of sorts,” he reasoned, an expression of his contempt for the wealthy suburban lifestyle of Ann Arbor, where he had just attended the University of Michigan. Working odd jobs, he found himself in a frightening city of wild dogs, frequent shootings, suspicious fires, and near-daily offers of drugs or sex. One new neighbor, Zeno, a crack dealer, asked him, “are you wearing a wire, motherfucker?” Another told Philp about a county auction of thousands of abandoned houses, an event that kicks off this deeply felt, sharply observed personal quest to create meaning and community out of the fallen city’s “cinders of racism and consumerism and escape.” Often hungry and scared, the author had help from his parents and new friends (most wild spirits sharing in the adventure of a revitalizing city) in working with abandoned materials to cobble his broken-down home, from chimney and stairs to foundation. The grueling process not only reveals his growing maturity, but also becomes a window on the look and feel of present-day Detroit and the neighborly people struggling to achieve satisfying lives there. Philp ably outlines the broad issues of race and class in the city, but it is the warmth and liveliness of his storytelling that will win many readers. “It is your sacred duty to find hope somewhere,” he reminds us.

A standout in the Detroit rehab genre.

Pub Date: April 11, 2017

ISBN: 978-1-4767-9798-4

Page Count: 304

Publisher: Scribner

Review Posted Online: Feb. 12, 2017

Kirkus Reviews Issue: March 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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