by Duane Swierczynski ‧ RELEASE DATE: July 19, 2016
Though this novel is dotted with fine details, its ambitious structure gets in the way of narrative momentum.
The murder of two policeman in mid-1960s Philadelphia has reverberations for successive generations of cops in Swierczynski's latest thriller (Canary, 2015, etc.).
When two partners, one black and one white, are gunned down in a working-class Philly bar, a low-level holdup man is presumed to be the killer, though there's never enough evidence to convict him. Paroled 30 years later for another crime, the man comes under the scrutiny of Jim Walczak, the dead white cop's son, now a cop himself. Twenty years after that, Jim's estranged daughter, Audrey, an aspiring crime-scene investigator, reopens her grandfather's murder, and her findings upset everyone's assumptions. The novel follows a pattern of setting successive chapters in 1965, 1995, and 2015, the protagonist changing in each. For this to really work, each chapter would have to feed effortlessly into the next instead of feeling like an interruption, which they too often do here. By far the liveliest are the chapters involving Audrey, who's tattooed, as enamored of booze as the other cops in her family, and bored to death with their pieties about duty and loyalty. If anything, the story could use more of her attitude, the way those endless Sunday dinner scenes in every episode of Blue Bloods make you long for someone to plunk their boots on the table. And though the book is about a city riven by racial conflict, there's not nearly enough about the dead black cop and his family.
Though this novel is dotted with fine details, its ambitious structure gets in the way of narrative momentum.Pub Date: July 19, 2016
ISBN: 978-0-316-40323-8
Page Count: 336
Publisher: Mulholland Books/Little, Brown
Review Posted Online: May 16, 2016
Kirkus Reviews Issue: June 1, 2016
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by J.A. Jance ‧ RELEASE DATE: April 2, 2019
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
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A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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by Nora Roberts ‧ RELEASE DATE: Oct. 1, 2001
Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal...
A gumbo seasoned with ghosts, love, and murder on the bayou.
When 30-something Declan Fitzgerald of Boston, a successful lawyer and a member of a large and loving family, breaks off his engagement to very suitable Jessica, he knows he needs to change his life. Lawyering is not fun anymore, so, recalling Manet Hall, an old deserted plantation house he once visited with law school classmate and New Orleans native Remy, he buys the property and moves down south. Declan is also a gifted craftsman, a born decorator, and very, very rich. Soon, he meets beautiful Lena, who’s visiting her grandmother Odette, Declan’s friendly Cajun neighbor. Declan is as certain that Lena is destined to be his wife as he was that Manet Hall would become his home. But, surprise, Lena has a troubled past (like the house) and is determined to resist Declan’s courtship. While he suits Lena and works on the place, Declan experiences troubling dreams. It seems he’s actually reliving the novel’s parallel story, which took place in 1899. In that year, the maid, Abbey Manet (from whom Lena, coincidentally, is descended, and who married wealthy Lucian Manet), was raped and murdered by her brother-in-law Julian as she nursed her baby daughter. Her body was dumped into the bayou by her mother-in-law, who despised her. And grief-stricken husband Lucian, away at the time, being told that Abbey had run off, committed suicide. Now, in an unconvincing twist of gender and reincarnation, it’s Declan who hears a baby crying , experiences childbirth and rape as the reincarnation of Abbey, while Lena is Lucian. The two accept all this with equanimity, and, Manet Hall’s secrets revealed, it becomes the setting for predictable and much foreshadowed resolutions.
Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal fans will enjoy.Pub Date: Oct. 1, 2001
ISBN: 0-399-14824-8
Page Count: 368
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
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