by E. Katherine Kottaras ‧ RELEASE DATE: Nov. 3, 2015
A thoughtful exploration of grief and life.
After the death of her mother, Georgia tries to really live while figuring out what that means.
All through high school, Georgia has been in “no-woman’s-land” with her best friend, Liss. After losing her mom, her father buries himself in their failing restaurant, and Georgia feels like she's drowning. But Georgia can't forget her timorous mother's final words to her—to “do everything”—and they prompt her to make a list of things to do to become brave. Not worrying about her overweight appearance, Georgia focuses on truly living her life. Some are easily accomplished, like No. 12—smoke pot—with the help of a new friend, Evelyn. But then there are tougher tasks, like asking out—and kissing—Daniel, Georgia's crush, and learning how to draw like her mom. As Georgia discovers her artistic talents, however, her romance with Daniel hits several snags. And when a mistake wrecks Georgia's friendship with Liss, she's left wondering if the list is actually helping her. Will she have the courage to keep going, or will she give up? Georgia's realistically profane voice aptly captures her personality, carrying the novel; her traverse through grief and experimentation make for a believable and satisfying character arc.
A thoughtful exploration of grief and life. (Fiction. 16-18)Pub Date: Nov. 3, 2015
ISBN: 978-1-250-07280-1
Page Count: 288
Publisher: St. Martin's Griffin
Review Posted Online: Aug. 4, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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BOOK REVIEW
by Sarah J. Maas ‧ RELEASE DATE: May 1, 2018
With introspection replacing battles, this extended epilogue gives breathing room between dramatic arcs but is best for...
A glimpse of the characters dealing with rebuilding and fallout after A Court of Wings and Ruin (2017).
In a change of pace from the usual epic struggle against powerful forces, this slimmer-than-usual volume follows the cast during the festive Winter Solstice holiday. Nods to trouble on the horizon (dissent in the Illyrian ranks, Fae courts eyeing for expansion, and a politically fraught situation among humans) remain distant, the lack of progress at times resulting in frustrating repetition. Cassian’s and Mor’s backstories are explored, and prickly Amren’s low-key relationship storyline is supplemented by her High Fae adjustments (including bodily humor). While Elain is becoming more comfortable, she still wants nothing to do with Lucien (who feels like an outsider nearly everywhere and has his hands full with a self-destructive Tamlin). Severely struggling Nesta self-medicates through alcohol, meaningless sex, pushing everyone away, and finding every last seedy corner of the otherwise utopian Velaris. While Rhys handles politics, Feyre’s storyline revolves around Solstice shopping and art’s potential for healing trauma—when the lovers aren’t telepathically sexting or craving each other. Aside from occasional minor characters, most of the inhuman cast seem white. Several plotlines are predictably resolved.
With introspection replacing battles, this extended epilogue gives breathing room between dramatic arcs but is best for readers who’d prefer downtime with the characters over high stakes. (map, preview of next title) (Fantasy. 16-adult)Pub Date: May 1, 2018
ISBN: 978-1-68119-631-2
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
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BOOK REVIEW
by Sarah J. Maas ; illustrated by Samantha Dodge ; adapted by Louise Simonson
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SEEN & HEARD
SEEN & HEARD
by Dan Brown ‧ RELEASE DATE: March 18, 2003
Bulky, balky, talky.
In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.
But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.
Bulky, balky, talky.Pub Date: March 18, 2003
ISBN: 0-385-50420-9
Page Count: 400
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
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