Some gems for readers willing to get out the sieve.
Plodding through this mostly disposable collection of blog posts is claustrophobically tiring, like watching someone else reflected in a hall of mirrors.
The preponderance of young, white, female authors of commercial series fiction may explain the chatty, repetitious content and tone, larded with perishable pop-culture references. The view that blogs and social networks foster petty narcissism is reinforced here as authors reassure their teen selves that they’ll be hotties, win awards and be admitted to their first-choice colleges. Popularity, dating and looks are major themes. Writers congratulate themselves on surviving parental divorce or mean behavior from peers. Reflecting on one’s teens from a vantage point of very few years (one was 18 when she “looked back”) can sound self-congratulatory and pompous—asserting wisdom without having paid the dues of accumulated life experience. Tough personal stories often feel flat—the short form and high concept work against emotional depth. Scattered among the self-reverential messages are a few gems: Joseph Bruchac’s account of how a personal choice became a foundation for self-esteem; Carrie Jones’ refusal to be defined by stigma; Don Tate’s tough love–style straight talk to his messed-up teen self. Michael Griffo, Mike Jung and Mitali Perkins also avoid cute-speak, conveying genuine feeling and the deeper complexity and contradictions of life as it’s lived, not just blogged.
Some gems for readers willing to get out the sieve. (Nonfiction. 12 & up)Pub Date: Oct. 31, 2012
ISBN: 978-1-936976-21-8
Page Count: 192
Publisher: Zest Books
Review Posted Online: April 25, 2012
Kirkus Reviews Issue: Sept. 15, 2012
A troubling depiction of an unhealthy relationship.
A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.
Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.
A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)Pub Date: Nov. 28, 2023
ISBN: 9781728299945
Page Count: 626
Publisher: Bloom Books
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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