Some gems for readers willing to get out the sieve.
Plodding through this mostly disposable collection of blog posts is claustrophobically tiring, like watching someone else reflected in a hall of mirrors.
The preponderance of young, white, female authors of commercial series fiction may explain the chatty, repetitious content and tone, larded with perishable pop-culture references. The view that blogs and social networks foster petty narcissism is reinforced here as authors reassure their teen selves that they’ll be hotties, win awards and be admitted to their first-choice colleges. Popularity, dating and looks are major themes. Writers congratulate themselves on surviving parental divorce or mean behavior from peers. Reflecting on one’s teens from a vantage point of very few years (one was 18 when she “looked back”) can sound self-congratulatory and pompous—asserting wisdom without having paid the dues of accumulated life experience. Tough personal stories often feel flat—the short form and high concept work against emotional depth. Scattered among the self-reverential messages are a few gems: Joseph Bruchac’s account of how a personal choice became a foundation for self-esteem; Carrie Jones’ refusal to be defined by stigma; Don Tate’s tough love–style straight talk to his messed-up teen self. Michael Griffo, Mike Jung and Mitali Perkins also avoid cute-speak, conveying genuine feeling and the deeper complexity and contradictions of life as it’s lived, not just blogged.
Some gems for readers willing to get out the sieve. (Nonfiction. 12 & up)Pub Date: Oct. 31, 2012
ISBN: 978-1-936976-21-8
Page Count: 192
Publisher: Zest Books
Review Posted Online: April 25, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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