In this haunting debut, Bumas explores the defining of relationships and how the quality of human intimacy reveals much about the places we call home. All eight stories in this collection lend an ethereal element to situations that at first glance seem familiar, depicting men and women attracted and confused by friends and lovers and who find themselves equally lost in their given time and place. As the characters struggle with conflicts that range from forbidden sexual attraction to making a new best friend to unplanned pregnancy to expressing solidarity with Chinese students shortly before the uprising at Tiananmen Square, the question of where and how we live in Manhattan's East Village, a provincial Chinese city, and a conservative college campus become inextricably linked. Sometimes a story revolves around the importance of human relationship and demonstrates that without it, any possible connection to society at large, the psyche of the population, even culture and history and hope for the future, is thwarted. For example, a young Western scientist studying water quality in canals in Hangzhou, China, likes to think of this small city as a home she has come to know well; but when a Chinese co-worker she feels especially close to gets relocated for suspected sexual involvement with her, the customs, food, and the purposefulness of her work become inconceivably foreign (``Head in Fog on Water''). At other times, it is the success of a human relationship that makes an environment bearable: A gay man poses as his lesbian friend's fiancÇ to get her through a sticky family gathering (``Your Cordially Requested Presence''). Bumas woos with strong characters, wry tones, political complexity, and a unique voice. This collection doesn't bowl you over—it gets under your skin.
Pub Date: Dec. 1, 1994
ISBN: 0-87023-930-9
Page Count: 208
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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