An inventive neurological argument for the existence of God.
Combining neuroscience and Christian apology, a debut work hypothesizes scientific proof for the Holy Spirit’s interaction with the human mind.
Many believe that God exists and that he communicates with humanity, though most people are willing to concede that this phenomenon is impossible to verify with science. It is, like other aspects of religion, a matter of faith. But Lennard argues that science is capable of proving not only that such messages occur, but also that this evidence justifies the existence of the Holy Spirit and, by extension, God himself: “I will endeavor to give justification for the hypothesis that the Holy Spirit through the human spirit interacts in the transmission of specified information to the human mind through synaptic transmission in neural networks, a stochastic process.” In layperson’s terms, the Holy Spirit communicates with the human spirit (the intangible essence of a person, i.e. the soul) by manipulating the physical brain. Lennard seeks to demonstrate this using the contemporary understanding of quantum mechanics and synaptic transmission. Just as a radio receives radio waves and translates them into sound waves that audiences can hear, humans’ brains receive messages from the Holy Spirit and convert them into a language that they can understand. The reverse process (prayer) is also possible. Ambitiously mixing personal experience, research, and the work of previous thinkers (particularly the neurophysiologist, philosopher, and Nobel laureate John Carew Eccles), Lennard discusses this process and how it relates to Scripture, near-death experiences, and information theory. The author’s prose is highly specialized and will be mostly inaccessible for readers with no knowledge of neurophysiology: “Interaction between mental events and quantum probability amplitudes for exocytosis couples in coherent fashion a large number of individual amplitudes of hundreds of thousands of boutons.” The opacity of such an argument makes it difficult to evaluate. Lennard begins with the presumption that the Christian God exists and speaks to humans, and it is likely that those who share that belief will be the most persuaded by his findings. For readers who like a lot of science with their apology, the author displays a great deal of ingenuity in his thinking and offers an extensive and useful bibliography.
An inventive neurological argument for the existence of God.Pub Date: Jan. 22, 2018
ISBN: 978-1-973614-33-3
Page Count: 174
Publisher: Westbow Press
Review Posted Online: May 29, 2018
Review Program: Kirkus Indie
A very welcome instance of philosophy that can help readers live a good life.
A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.
“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.
A very welcome instance of philosophy that can help readers live a good life.Pub Date: Feb. 18, 2020
ISBN: 978-0-300-25093-0
Page Count: 200
Publisher: Yale Univ.
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf