by E.A. Wyke-Smith ; retold by Veronica Cossanteli ; illustrated by Melissa Castrillón ‧ RELEASE DATE: Aug. 30, 2022
A breezy refresh for a little-known story with all sorts of intriguing associations.
A reworked version of a classic 1927 British fairy story by E.A. Wyke-Smith that strongly influenced J.R.R. Tolkien’s The Hobbit.
Cossanteli takes two wayward orphans from the rule-bound confines of the Sunny Bay Home for Superfluous and Accidentally Parentless Children (presided over by Miss Watkyns, a spit-spot mistress distinctly akin to Mary Poppins) into a magic land of goblin-infested swamps and tunnels, armored knights, giant crocopotami, and like terrifying threats. There are also witches good and evil and, most prominently, Snergs, who are a race of short, merry, food- and story-loving folk with names like Wilmus and Pompo. Punctuated by the occasional feast (and sharp comments about the shortcomings of bad parents), the round of exciting chases, captures, and narrow escapes culminate in multiple transformations, from a physical one for fiendishly clever and scary witch Malicia and inner ones for electively mute orphan Flora and her unschooled friend Pip to their Snerg guardian Gorbo’s makeover from bumbling scatterbrain to hero, loyal and true. Castrillón supplies elegantly antique montages and spot art, with occasional views of the light-skinned central characters. This story, with clever wordplay and echoes of The Wonderful Wizard of Oz, Alice’s Adventures in Wonderland, and Peter Pan, will delight.
A breezy refresh for a little-known story with all sorts of intriguing associations. (Light fantasy. 7-11)Pub Date: Aug. 30, 2022
ISBN: 978-1-60945-808-9
Page Count: 307
Publisher: Europa Editions
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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by Veronica Cossanteli ; illustrated by Roman Muradov
by Emily Calandrelli & Tamson Weston ; illustrated by Renée Kurilla ‧ RELEASE DATE: Aug. 29, 2017
The story feels a bit contrived, but Ada will be a welcome addition to the small circle of science-loving girls in the...
Using science and technology, third-grader Ada Lace kicks off her new series by solving a mystery even with her leg in a cast.
Temporarily housebound after a badly executed bungee jump, Ada uses binoculars to document the ecosystem of her new neighborhood in San Francisco. She records her observations in a field journal, a project that intrigues new friend Nina, who lives nearby. When they see that Ms. Reed’s dog, Marguerite, is missing, they leap to the conclusion that it has been stolen. Nina does the legwork and Ada provides the technology for their search for the dognapper. Story-crafting takes a back seat to scene-setting in this series kickoff that introduces the major players. As part of the series formula, science topics and gadgetry are integrated into the stories and further explained in a “Behind the Science” afterword. This installment incorporates drones, a wireless camera, gecko gloves, and the Turing test as well as the concept of an ecosystem. There are no ethnic indicators in the text, but the illustrations reveal that Ada, her family, and bratty neighbor Milton are white; Nina appears to be Southeast Asian; and Mr. Peebles, an inventor who lives nearby, is black.
The story feels a bit contrived, but Ada will be a welcome addition to the small circle of science-loving girls in the chapter-book world. (Fiction. 7-9)Pub Date: Aug. 29, 2017
ISBN: 978-1-4814-8599-9
Page Count: 128
Publisher: Simon & Schuster
Review Posted Online: May 23, 2017
Kirkus Reviews Issue: June 15, 2017
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More In The Series
by Emily Calandrelli with Tamson Weston ; illustrated by Renée Kurilla
More by Emily Calandrelli
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by Emily Calandrelli with Tamson Weston ; illustrated by Renée Kurilla
by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Rebecca Bond ; illustrated by Salley Mavor
BOOK REVIEW
by Rebecca Bond ; illustrated by Rebecca Bond
BOOK REVIEW
by Rebecca Bond ; illustrated by Rebecca Bond
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