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THE SILENT COUNT

An imaginative and engaging blend of SF and political intrigue.

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In this thriller, a young nuclear engineer gets a unique opportunity to combat climate change and unwittingly becomes a pawn in a political conspiracy.

Dara Bouldin is a woman of rare genius—at the age of 21, she already has a doctorate in nuclear engineering and is writing nuclear safety code for the Agency for Advanced Energy Research, a government institute. But her work is drearily uninspiring and completely unrelated to her research on climate change, her abiding passion. In addition, she’s still reeling emotionally from a breakup with her fiance, Jericho Wells, now a major rock star. Moreover, she’s assumed responsibility for the steep gambling debts accrued by her father, Avery, a loving man who’s an embarrassingly irresponsible burden. Then Dara’s fortunes suddenly look more promising when she is contacted by Brig. Gen. Alexander Fallsworth, who is interested in her doctoral dissertation on climatological geo-engineering—in short, reversing climate change by repositioning the jet stream. Alexander wants to accomplish precisely this by employing nuclear weapons to eliminate a series of targeted mountain ranges, a peculiar but innovative notion made stunningly plausible by Smiroldo. Dara is initially thrilled but finds out—from colleague and romantic interest Dmitri Andreevich—that Alexander’s real plan is to justify the nuclear destruction of America’s global competitors. As Dara protests to Alexander, “If you use those coordinates, you’ll solve America’s climate problems, but you’ll turn sections of Asia into deserts. Parts of the northern countries would turn into Antarctica, and parts of the southern half would turn into Death Valley. Half of Russia alone would become uninhabitable, as would huge sections of China.” Dara’s ability to intervene is hampered by questions of national security—she can’t simply go public with classified information—as well as the fact that Dmitri turns out to be a Russian spy.

The author shrewdly examines the way in which Dara’s sentimental idealism, even armed as she is with scientific brilliance, leaves her vulnerable to the cynical machinations of political strategies. She’s a delicately drawn character, as intellectually rigorous as she is emotionally pliable. Further, Smiroldo limns with heartbreaking poignancy the origins of Dara’s interest in climate change—her mother died trying to save her from a wildfire in her native Colorado when she was a child. The America depicted in the book is plagued by wildfires and other natural disasters, pummeled by the devastating effects of climate change, a terrifying prospect vividly portrayed. The author’s writing can devolve into melodrama—Dara often refers to the lyrics of popular songs in order to interpret her experiences, vapid examples of poetry. Prepared to run from her mounting problems, she recalls these lines from a fictional song: “Someplace far where nobody knows me / Test this brave new spirit inside / Become a woman of the world of lost borders / Forgive myself and / Get on with my life / And I’ll fly, and I’ll fly away.” Nonetheless, this is an engrossing novel, both scientifically inventive and psychologically sensitive.

An imaginative and engaging blend of SF and political intrigue.

Pub Date: July 12, 2022

ISBN: 9798840423226

Page Count: 289

Publisher: Solstice Publishing

Review Posted Online: Feb. 6, 2023

Kirkus Reviews Issue: March 15, 2023

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CLOWN TOWN

From the Slough House series , Vol. 9

The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.

A series of mounting complications leads to yet another fight to the death between the discarded intelligence agents of Slough House and the morally bankrupt head of MI5.

As Jackson Lamb’s motley crew on Aldersgate Street struggles to cope with the deaths of River Cartwright’s grandfather and mentor, intelligence veteran David Cartwright, and their dim, beloved colleague Min Harper, new troubles are brewing. Diana Taverner, who runs the British Intelligence Service from Regent’s Park, is being blackmailed by former MP Peter Judd to do his bidding. Nothing untoward about that, of course, but this time, Judd’s demands, backed by a compromising tape recording, are more pressing than usual. So Diana reconvenes the Brains Trust—Al Hawke, Avril Potts, Daisy Wessex, and their ex-boss Charles Cornell Stamoran—whose last assignment was to serve as the contact for psychopathic IRA informant Dougie Malone while turning a blind eye to his multiple rapes and murders, which were really none of the Crown’s business. Taverner’s new assignment for the Brains Trust is the assassination of Judd. Since all these developments are filtered through the riotously cynical lens of Herron’s imagination, nothing goes as planned, and when the smoke clears, the fatalities don’t include Judd. Now that Judd knows he has as much reason to fear Taverner as she does to fear him, Lamb offers to broker a peace meeting between them which Slough House computer geek Roddy Ho will keep secret by knocking out 37 security cameras around Taverner’s dwelling. What could possibly go wrong?

The best news of all: The climax leaves the door open to further reports from the hilariously misnamed British Intelligence.

Pub Date: Sept. 9, 2025

ISBN: 9781641297264

Page Count: 352

Publisher: Soho Crime

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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