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IF FROGS COULD FLY

A highly imaginative, if occasionally muddled, tale about the effects of a plague.

A debut novel features a rabbi and a journalist who embark on an exotic journey.

At the beginning of this story set in 2016, happy, prosperous freelance journalist Ron Levine is fresh from a Miami Beach morning swim (and a brief encounter with a hammerhead shark). Running some errands for his wife prior to a dinner with their friends the Applebaums and the possible landfall of Hurricane Bessie, he encounters Rabbi Mandelson in a parking lot. The two take shelter from a thunderstorm in Ron’s car, where the rabbi offers him a chance to accompany him and a crew as they navigate the jungles of Peru in search of “a lost tribe of Israel.” The rabbi is certain the tribe exists, hidden in the forest. During the expedition, in a classic comic move on Mendel’s part, the team’s biblical scholar, Rabbi Karpadah, in an excess of in-the-jungle enthusiasm, kisses a tree frog. The viral infection that results quickly sweeps the world. When Rabbi Mandelson and Ron meet again two years later in the book’s second part, the whole tone of the narrative has changed accordingly. This opens up avenues for a dramatic increase in the unpredictable and the downright weird. The inventive novel’s second half centers on the bizarre adventures of the Levines and the Applebaums. Readers who were startled by the touches of magical realism in the story’s first section will be swamped by it in the second part. The author handles the integration of both halves very well, although there are annoying stylistic tics scattered throughout the work. Mendel is prone to larding scenes with extraneous details, and the character interactions are sometimes startlingly unrealistic. The combined effect has the strengths and weaknesses of most trippy fiction. Both the real world and the surreal realms sometimes end up feeling less than convincing.

A highly imaginative, if occasionally muddled, tale about the effects of a plague.

Pub Date: Dec. 16, 2018

ISBN: 978-0-9970976-3-4

Page Count: 379

Publisher: Sunbridge Books

Review Posted Online: Sept. 2, 2020

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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