Next book

IF FROGS COULD FLY

A highly imaginative, if occasionally muddled, tale about the effects of a plague.

A debut novel features a rabbi and a journalist who embark on an exotic journey.

At the beginning of this story set in 2016, happy, prosperous freelance journalist Ron Levine is fresh from a Miami Beach morning swim (and a brief encounter with a hammerhead shark). Running some errands for his wife prior to a dinner with their friends the Applebaums and the possible landfall of Hurricane Bessie, he encounters Rabbi Mandelson in a parking lot. The two take shelter from a thunderstorm in Ron’s car, where the rabbi offers him a chance to accompany him and a crew as they navigate the jungles of Peru in search of “a lost tribe of Israel.” The rabbi is certain the tribe exists, hidden in the forest. During the expedition, in a classic comic move on Mendel’s part, the team’s biblical scholar, Rabbi Karpadah, in an excess of in-the-jungle enthusiasm, kisses a tree frog. The viral infection that results quickly sweeps the world. When Rabbi Mandelson and Ron meet again two years later in the book’s second part, the whole tone of the narrative has changed accordingly. This opens up avenues for a dramatic increase in the unpredictable and the downright weird. The inventive novel’s second half centers on the bizarre adventures of the Levines and the Applebaums. Readers who were startled by the touches of magical realism in the story’s first section will be swamped by it in the second part. The author handles the integration of both halves very well, although there are annoying stylistic tics scattered throughout the work. Mendel is prone to larding scenes with extraneous details, and the character interactions are sometimes startlingly unrealistic. The combined effect has the strengths and weaknesses of most trippy fiction. Both the real world and the surreal realms sometimes end up feeling less than convincing.

A highly imaginative, if occasionally muddled, tale about the effects of a plague.

Pub Date: Dec. 16, 2018

ISBN: 978-0-9970976-3-4

Page Count: 379

Publisher: Sunbridge Books

Review Posted Online: Sept. 2, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 243


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 243


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Next book

PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

Close Quickview