A vivid, if sometimes-melodramatic, tangle of corporate intrigue, murder, friendship, and love gone wrong.
In Frey’s debut novel, corporate players clash and old friends revisit buried secrets.
Heather Colling’s life was long ago mapped out by her parents: She would attend the business program at Georgetown University, establish a career with a powerful corporation, buy a big house in Fairfield, Connecticut, and marry a man approved by her mother. Lately, that husband, Brandon Collings, has been behaving strangely, and mysteries at her workplace have left her unsteady. Specifically, she worries that she’s being stalked by someone. Heather underwent multiple traumas as a child, including a series of assaults and a fire; she and her childhood friends “live in a spider’s web” of secrets due to dark events that took place in her home, known as “Sunny Hollow,” back in 1968. Now several of those friends are receiving strange phone calls and threatening visits by an unknown person. Heather herself becomes entangled in a shocking murder and a related sexual harassment case at her company, which could endanger the careers and fortunes of the CEO and her fellow executives. She and her friends must rely on one another to piece together mysteries and confront brutal and powerful men who’ll stop at nothing to cover up their crimes. Frey addresses a number of contemporary issues in this novel’s pages: the Me Too movement, the struggles of Indigenous people, and the necessity of inclusion; Heather’s best friends are African-American, white, and Native Latina, and they reflect on the meanings of those identities throughout the novel. But with so many characters keeping track of so many secrets, the reader may be left to wonder whether Frey’s book doesn’t attempt to do too much. It also can be tricky to determine the chronological order of flashbacks, and some of Frey’s dialogue comes across as stagy: “ ‘Georgetown doesn’t have a thing on Harvard.’ He snickered.” There’s much that’s worthy in these pages; the suspense is effective, and the friendships feel real throughout. However, the reader will have to be patient and attentive to appreciate these highlights.
A vivid, if sometimes-melodramatic, tangle of corporate intrigue, murder, friendship, and love gone wrong.Pub Date: June 12, 2018
ISBN: 978-1-63152-389-2
Page Count: 347
Publisher: She Writes Press
Review Posted Online: April 5, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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