Readers will hear the “clip-clop, clip-clop, clip-clop” in every image of this astonishing book.
Poet Galing (1917-2013) leads Tony, a dairy delivery horse, through the veil of memory, encantatory phrasing—circling and repetitious—calling him plodding from pre-dawn into the present, his sturdy flank barely expanding with the effort.
“Tony // that was his name // he was such a / wonderful horse // and pulled a milk / truck / for Tom, the young / driver // Tom Jones, / in the early hours of the / morning, // pulling the wagon loaded / with milk, butter, / and eggs….” Stead’s astonishing pencil illustrations, simultaneously granular and silkily suggestive, deliver corporeal portraits of Tony’s musculature, his lashes, cocked ear, subdued sentience, and pathos. Her foggy, blotted green-and-gold palette (achieved through monoprinting) suggests not only nocturnal darkness and lamplight, but also the patina of coppered time. Gauzy line drawings and matte colors surface in ample creamy, blank space, just as memories float up out of the subconscious. At once moody and poignant, murky and clear, intensely personal and vague, atmospheric and studiously specific, the pictures and language cohere magically to remind readers how memories often shimmer and shape-shift. Young readers will simply marvel at the poem’s lulling, looping cadence and at the pictures’ extraordinary empathy and likeness—fitting enough for a story about a horse, his driver, eggs, milk, butter, and a man’s pure, simple appreciation.
Readers will hear the “clip-clop, clip-clop, clip-clop” in every image of this astonishing book. (Picture book. 2-12)Pub Date: Feb. 7, 2017
ISBN: 978-1-62672-308-5
Page Count: 32
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Oct. 25, 2016
Kirkus Reviews Issue: Nov. 15, 2016
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
More fun antics to satisfy returning fans and snag new ones.
Not even the arrival of autumn can cool down this impetuous squirrel.
Although Squirrel is skeptical about Bird’s vegetable patch (“Nothing is HAPPENING!”), Bird does produce five (count them) lovely pumpkins. Squirrel picks out a favorite: “The enormous orange one.” Bird hints that Squirrel might want to help out; Squirrel sets out to fetch some work gloves and returns to find only four pumpkins. The frequently distracted Squirrel notices more gourds disappearing and leaps to the conclusion that a thief is near. And where’s Bird?! Has Squirrel’s pal also been taken? Diligently detecting, Squirrel finds clues—peck marks, footprints, and more—and produces a sketch of the suspect. As readers will guess, each clue turns out to point to one of Squirrel and Bird’s friends. Turns out Bird was delivering pumpkins to their pals while saving the big one to give to “my very best friend,” Squirrel. But why does Squirrel haul it up a tree? “So the Pumpkin Thief can’t find it, of course!” A page of pumpkin facts provides the learning component common to all titles in this series. Once more, readers will enjoy the pleasure of prediction and repetition, Squirrel’s silly persistence, Bird’s generosity, and the vibrant color illustrations, balancing orange with green.
More fun antics to satisfy returning fans and snag new ones. (Picture book. 4-8)Pub Date: July 28, 2026
ISBN: 9781464268076
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Aug. 11, 2026
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