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At the End of the Day

An overly philosophical novel at times, but one that capably captures the turmoil and excitement of the late 1960s.

In Levesko’s debut novel, a deep-thinking young man ponders life and love in Paris and beyond.

Alex, a footloose freelance journalist and American expat in his late twenties, flees France (and a failed relationship) for Athens, Greece, where he quickly gets involved with two women: Iris, a seductive Greek beauty; and Lisa, an innocent American tourist. When he eventually returns to France, Lisa follows him and the two fall in love. Before long, Lisa is pregnant, and Alex must confront his mixed feelings about family and the future if he wants to be the partner Lisa deserves. Meanwhile, social unrest in Paris and beyond mirrors his own internal struggle. The plot of Levesko’s novel certainly meanders, as the protagonist bums around Europe, visits a monastery, falls in love, and struggles to translate Albert Camus’ deceptively simple novel The Stranger—one of many references to notable European musicians, artists and writers, including Erik Satie, Pablo Picasso and James Joyce. He debates relationships, existence and politics with his colorful friends, who are all artists, rebels and drifters like himself. At points, these lengthy discussions threaten to derail the narrative, particularly when Alex idly ponders big, meaning-of-life questions: “Does anybody ever figure out what makes him or her so special?…What makes a life worth something?” However, the detailed stories that take readers into the milieu of 1960s Europe are far more interesting, such as Alex’s firsthand observations of Prague Spring and his emotional trip to the site of the D-Day invasion in Normandy. Everything leads up to the dramatic events of the May 1968 protests in Paris, in which Lisa becomes actively involved. It’s a compelling backdrop that gives the latter third of this novel weight and structure, even though the author fails to convey the purpose or significance of the countrywide revolt. Yet despite such shortcomings, Alex’s journey from irresponsible, unfocused youth to a more thoughtful maturity will resonate with anyone who’s struggled with questions of how to live in the world.

An overly philosophical novel at times, but one that capably captures the turmoil and excitement of the late 1960s.

Pub Date: June 10, 2013

ISBN: 978-0615831695

Page Count: 384

Publisher: CreateSpace

Review Posted Online: Aug. 9, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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