A brash, rangy, sui generis feat of speculative fiction.
A secret history of Korea from the 20th century to the present, suffused with postmodern weirdness.
Park’s beguiling, deliberately knotty second novel—following Personal Days (2008)—is built on three intersecting narratives. The first is told by Soon Sheen, author of an ill-selling short-story collection and now an employee of GLOAT, a Meta-like tech company. At a gathering of college friends and former publishing colleagues, he’s introduced to Echo, author of what Soon is told is a brilliant novel titled Same Bed, Different Dreams. (Evoking David Foster Wallace’s Infinite Jest, Soon is told by the book's English translator that “some Koreans had gone mad after just a taste” of it.) The second narrative is the text of that novel, presented as a history of a secret Korean Provisional Government whose members include South Korean leader Syngman Rhee and a host of assassins, revolutionaries, and politicians. The third narrative concerns Parker Jotter, a Black Korean War veteran who’s written a series of science fiction novels that, à la Philip K. Dick, question the nature of everyday reality. Park pushes each of these stories to the edge of coherence, willfully digressing and filling the tales with commentaries on the Buffalo Sabres, Kim Jong Il’s obsession with the Friday the 13th movies, U.S. president William McKinley’s assassination, and more. Yet there’s no question that Park is in control of the story, and he reconciles it all brilliantly. It’s an encyclopedic yarn about Korea’s tragic and difficult 20th century, but also a compassionate study of how much we inherit culturally from the past, and how we’re connected to it more deeply than we’re inclined to think. And for all its Pynchonian gamesmanship, it’s simply fun, rife with detours on parenthood, literature, hockey, and spycraft. Even in moments when it’s not entirely clear where the story’s going, Park is a savvy and entertaining guide.
A brash, rangy, sui generis feat of speculative fiction.Pub Date: Nov. 7, 2023
ISBN: 9780812998979
Page Count: 544
Publisher: Random House
Review Posted Online: Aug. 10, 2023
Kirkus Reviews Issue: Sept. 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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