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THE PASTOR

An engaging story about a clergyman’s crisis of conscience.

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In Treat’s (Our Stories of Experience, Strength & Hope, 2005) novel, a small-town pastor confronts a mystery surrounding the death of a member of his congregation.

Pastor Brian Matterson leads a small community of the faithful at All Saints Lutheran Church in Martin Valley, a suburb of Minneapolis. As the story commences, Brian, a recovering alcoholic with a dogged sense of duty, is trying to handle various everyday challenges with good humor when tragedy strikes: A member of his congregation, Candy Vinter, has hanged herself in her family home. She’d been dealing with breast cancer and the effects of chemotherapy, but even so, the chance that she might commit suicide had never crossed Brian’s mind. When he visits the family—her husband, Mickey, and their children—he senses something secret underneath the surface of their grief. After police investigate further, Brian finds himself confronting conflicting sets of priorities; meanwhile, he continues to juggle his ordinary responsibilities, including other family tragedies. Treat, a Lutheran pastor himself, portrays Brian’s world with three-dimensional texture so that even the daily details of life at All Saints become surprisingly gripping reading. For example, at the story’s outset, Brian faces the normal array of headaches that face any pastor, including a young couple seeking marriage counseling, and a leaking roof that the church can ill afford to repair since All Saints’ revenues have been declining along with the membership. Throughout, the author imbues his protagonist with a thoroughly believable humanity; at one point, for instance, he’s privately annoyed by his imperious secretary: “There were plenty of times Brian fantasized about ways to move her out of the job or get her to retire, but that was a political hot potato that could end up in a church schism if it went sideways. Truth be told, he would be lost without her.”

An engaging story about a clergyman’s crisis of conscience.

Pub Date: March 1, 2018

ISBN: 978-1-5434-7905-8

Page Count: 280

Publisher: Xlibris

Review Posted Online: Oct. 3, 2018

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SAG HARBOR

Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.

Another surprise from an author who never writes the same novel twice.

Though Whitehead has earned considerable critical acclaim for his earlier work—in particular his debut (The Intuitionist, 1999) and its successor (John Henry Days, 2001)—he’ll likely reach a wider readership with his warmest novel to date. Funniest as well, though there have been flashes of humor throughout his writing. The author blurs the line between fiction and memoir as he recounts the coming-of-age summer of 15-year-old Benji Cooper in the family’s summer retreat of New York’s Sag Harbor. “According to the world, we were the definition of paradox: black boys with beach houses,” writes Whitehead. Caucasians are only an occasional curiosity within this idyll, and parents are mostly absent as well. Each chapter is pretty much a self-contained entity, corresponding to a rite of passage: getting the first job, negotiating the mysteries of the opposite sex. There’s an accident with a BB gun and plenty of episodes of convincing someone older to buy beer, but not much really happens during this particular summer. Yet by the end of it, Benji is well on his way to becoming Ben, and he realizes that he is a different person than when the summer started. He also realizes that this time in his life will eventually live only in memory. There might be some distinctions between Benji and Whitehead, though the novelist also spent his youthful summers in Sag Harbor and was the same age as Benji in 1985, when the novel is set. Yet the first-person narrator has the novelist’s eye for detail, craft of character development and analytical instincts for sharp social commentary.

Not as thematically ambitious as Whitehead’s earlier work, but a whole lot of fun to read.

Pub Date: April 28, 2009

ISBN: 978-0-385-52765-1

Page Count: 288

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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