Sophisticated, inventive art invites close viewings for patient readers in this unusual family story.

THE HOUSE BABA BUILT

AN ARTIST'S CHILDHOOD IN CHINA

Flashes of multi-media brilliance illuminate this darkly colored, leisurely paced memoir of childhood in Shanghai.

With war approaching, Baba (daddy) searches for a place to keep Ma and their five kids safe. “The safest part of Shanghai was where the embassies were—on the edge, next to fields,” but that land is too expensive to purchase. Baba makes a deal: He’ll use his engineering skills to build “a big brick house… with courtyards, gardens, [and] a swimming pool” that his family can inhabit for 20 years, after which it will revert to the landowner. The artist’s childhood in this house comprises the story, a patchwork of games played (including roller skating on the roof), mild deprivation (little meat, but always food) and the distant-seeming war (first-person Eddy refers to Japan as the enemy but doesn’t explain). Eddy feels safe in Baba’s house, as do the other families sheltering there. The episodic text rambles; some illustrations are casual and chaotic. Others are magnificent. Young uses myriad textures, including crinkly paper and woven reed paper. Collaged family silhouettes feature tenderly sketched faces. Old photos and bits of painted collage glow on dark pages. Miniscule cut-out people populate fold-out drawings and complex, three-dimensional–looking collages of the house. Those wanting historical or cultural background will need supplements, though.

Sophisticated, inventive art invites close viewings for patient readers in this unusual family story.    (foreword, time line, author’s note) (Picture book/memoir. 7-12)

Pub Date: Oct. 3, 2011

ISBN: 978-0-316-07628-9

Page Count: 48

Publisher: Little, Brown

Review Posted Online: Aug. 17, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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A stellar collaboration that introduces an important and intriguing individual to today’s readers.

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BECOMING MUHAMMAD ALI

From the Becoming Ali series , Vol. 1

Two bestselling authors imagine the boyhood of the man who became the legendary boxing icon Muhammad Ali.

Cassius was a spirited child growing up in segregated Louisville, Kentucky. He had a loving home with his parents and younger brother, Rudy. Granddaddy Herman also was an important figure, imparting life lessons. His parents wanted him to succeed in school, but Cassius had difficulty reading and found more pleasure in playing and exploring outdoors. Early on, he and Rudy knew the restrictions of being African American, for example, encountering “Whites Only” signs at parks, but the brothers dreamed of fame like that enjoyed by Black boxer Joe Louis. Popular Cassius was especially close to Lucius “Lucky” Wakely; despite their academic differences, their deep connection remained after Lucky received a scholarship to a Catholic school. When Cassius wandered into the Columbia Boxing Gym, it seemed to be destiny, and he developed into a successful youth boxer. Told in two voices, with prose for the voice of Lucky and free verse for Cassius, the narrative provides readers with a multidimensional view of the early life of and influences on an important figure in sports and social change. Lucky’s observations give context while Cassius’ poetry encapsulates his drive, energy, and gift with words. Combined with dynamic illustrations by Anyabwile, the book captures the historical and social environment that produced Muhammad Ali.

A stellar collaboration that introduces an important and intriguing individual to today’s readers. (bibliography) (Biographical novel. 8-12)

Pub Date: Oct. 5, 2020

ISBN: 978-0-316-49816-6

Page Count: 320

Publisher: Jimmy Patterson/HMH Books

Review Posted Online: Aug. 4, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)

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  • New York Times Bestseller

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BROWN GIRL DREAMING

A multiaward–winning author recalls her childhood and the joy of becoming a writer.

Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is “a country caught / / between Black and White.” But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father’s people in Ohio and her mother’s people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah’s Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe’s Stevie and Langston Hughes’ poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that “[W]ords are my brilliance.” Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.

For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12)

Pub Date: Aug. 28, 2014

ISBN: 978-0-399-25251-8

Page Count: 336

Publisher: Nancy Paulsen Books

Review Posted Online: June 25, 2014

Kirkus Reviews Issue: July 15, 2014

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